[4] I’d never seen Heaven’s Gate until recently. For decades, it has been the title synonymous with “flop” and studio bankruptcy, but it has also been picked back up, reexamined, and declared somewhat of an artistic treasure in recent years. The story centers around a bloody ongoing battle in 1890s Wyoming between rich cattle barons and struggling immigrant settlers. The settlers steal cattle to feed their …
[10] In picturesque Italy, 1983, a seventeen-year-old boy falls in love with an older man who is working as his father’s research assistant. That’s it. That’s all Call Me By Your Name is about. And it’s marvelous. So many other coming-of-age, coming out, and gay-centered love stories focus on outside forces exerting pressure on the characters. But James Ivory’s (Maurice, The Remains of the Day) …
[9] Not since 1980’s Ordinary People have we had such a genuinely affecting movie about loss and mourning. In Manchester by the Sea, a man with a tortured past discovers he is the legal guardian of his late brother’s teenaged son. Casey Affleck is remarkable and nuanced in the lead role, playing a character who has repressed his feelings for so long that the mere …
[8] Hailee Steinfeld (Oscar nominee for the Coen Brothers’ True Grit remake) stars as a high school girl on the edge of a nervous breakdown when she discovers her best and only friend has begun dating her brother. Writer/director Kelly Fremon Craig beautifully captures the isolation, anxiety, desperation, and pervasive helplessness of adolescence here, and without letting the film get too dark and dreary. Supporting player …
[7] Amy Adams plays a linguist recruited by the military after aliens (the space kind) make first contact with human beings in twelve separate locations across the globe. Eric Heisserer’s non-linear screenplay (based on a story by Ted Chiang) and Denis Villeneuve’s austere direction make the first two-thirds of Arrival a pretty gripping film for people with the desire and ability to pay attention and …
[8] Writer Alan Ormsby and director Tony Bill create a compelling coming-of-age story that avoids two of the greatest pitfalls of the genre: it doesn’t talk down to its subjects and it doesn’t wallow in sentimentality. Chris Makepeace and Adam Baldwin give fine performances as the ‘new kid’ and the ‘mysterious loaner,’ respectively. Their unlikely friendship develops believably and becomes the heart of the movie. …
[6] Intentionally bizarre and overwrought, I’m not sure what to make of this adaptation of John Irving’s novel about an extended, eccentric family that moves into a down-trodden hotel. I liked a previous Irving adaptation, The World According to Garp, much better. Garp director George Roy Hill was better able to balance the humor and sorrow than Hotel director Tony Richardson. Richardson leans so much …
[6] Katharine Hepburn plays a woman determined to dodge marriage and make a career for herself. She gets pretty far, until an unexpected turn of events turns her into a single mother. A Woman Rebels presents a peek at the feminist persona for which Katharine Hepburn would later become famous, but the film is a little too melodramatic for my taste. With the Hays Code firmly in …
[4] The Coen Brothers run hot and cold with me. Sometimes I get them, sometimes I don’t. This is one of the times that I don’t, and I can only figure it’s because the comedy is too subdued and the point is too on the nose. Michael Stuhlbarg stars as a man whose claustrophobic suburban life is unraveling. His wife has decided to divorce him …
[6] Ridley Scott directs from a script by Steven Zaillian this true story about a New York detective (Russell Crowe) and a drug lord (Denzel Washington) whose paths cross in the 1970s to expose deep-rooted corruption in the police force. The film balances the screen time between Washington and Crowe’s characters, so we get both the plight of the humble man and the rise & fall …
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