Drama

[6] Errol Flynn stars as a deep sea diver hunting for a rumored sunken treasure while fending off a trio of baddies that are trying to swipe it out from under him. Flynn is a little past his prime here, and the early fight scene with Richard Webb may be one of the worst-staged in movie history, but Maru Maru is still a fun little …

[5] If you can get past the fact that the Rocky series never should have lived to see a fifth entry, Rocky V may actually surprise you a little. I’m glad it doesn’t retread the old narrative of every installment that precedes it. It’s good to see Rocky (Sylvester Stallone) and his family ‘on the rocks,’ adjusting to life back in working-class Philadelphia. I found …

[6] Marlon Brando plays Fletcher Christian and Trevor Howard takes on the mantle of the sadistic Captain Bligh in this remake from director Lewis Milestone (All Quiet on the Western Front). The bloated run time (three hours) doesn’t help the movie, and neither does a scarcity of closeups in the super-70mm framing. You never get into the minds of the leading characters and Brando is …

[6] This Dino DeLaurentiis production of the infamous tale of mutiny welcomes more shades of gray into the characters of Captain Bligh and Fletcher Christian than the 1935 original film, though I wouldn’t say it’s a better film overall. Bligh and Christian are portrayed by Anthony Hopkins and Mel Gibson, respectively. Bligh is a more complicated and sympathetic character; Christian is a more blindly passionate …

[8] A young man’s soul is transferred to a mysterious portrait that bears the decay and debauchery of his lifestyle. The most interesting thing about this Oscar Wilde tale is that you are never told what Dorian Gray’s sins are, though the film adaptation hints at everything from drugs and alcohol to carnal sins with both men and women. Hurd Hatfield plays the icy cold …

[6] A small, isolated village of puritan-like people come under siege by a killer in their midst, as well as woodland monsters that may not be what they seem… Whether or not you like M. Night Shyamalan’s The Village ultimately hinges upon two big conceits (or twists, if you will). I’m okay with the first, as it comes organically from the hopes and fears of …

[5] Personally, I’m not sure when I’ll ever be “ready” to see any dramatizations of September 11th, 2001. I definitely don’t want to see those events sensationalized. Thankfully, Oliver Stone exercises restraint with the material, opting to show the film almost entirely from two characters’ points of view. World Trade Center is a claustrophobic survival story centered around real-life survivors John McLoughlin (Nicolas Cage) and …

[6] Tired of her boyfriend’s sexual indiscretions, Ingrid Bergman reluctantly begins an affair with a much younger man played by Anthony Perkins. The relationship is doomed from the start, of course, and everything ends in tears. Bergman is uncharacteristically manic in this movie. There’s a nice scene where she’s crying behind the wheel and turns on the windshield wipers to see better, even though it’s …

[7] John Wayne took home the Oscar for his performance as crotchety Rooster Cogburn, an alcoholic US Marshall recruited by a young girl (Kim Darby) to capture her father’s killer and bring him to justice. Wayne is low key as always, but it works pretty well for him. Except for Robert Duvall as the villainous Ned Pepper, the rest of the casting leaves something to …

[3] Katharine Hepburn plays an aspiring composer who falls in love with a successful conductor. He cheats on her, they split up, they miss each other, they get back together. Snore. Supporting player John Beal is five times more appealing than phoney baloney leading man Charles Boyer. There’s no chemistry between Hepburn and Boyer, and no believable reason they should ever want to stay together. …

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