[6] Henry Fonda is caught between a beleaguered WWII cargo crew and their vindictive captain in this oddly cheerful, lightweight drama directed by John Ford and Mervyn Leroy. James Cagney hams it up as the nutcase captain while William Powell makes a graceful big screen exit as the ship’s doctor. Jack Lemmon won the first of his two Oscars for his supporting role as an …
[6] On one hand, Arthur Penn’s take on Billy the Kid isn’t as whitewashed as other tellings. On the other hand, why should we care that some hot-headed simpleton ran out and got himself shot? Despite an admirable effort from Paul Newman, I couldn’t quite invest in the character as much as I’d have liked, but the movie still moves at a brisk pace and …
[4] George C. Scott stars as a police officer who follows a murder case that gets him embroiled in a mystery involving the Nazis and big oil. The film’s ahead of its time in vilifying the oil companies, represented here by none other than Marlon Brando. Scott’s character hits the nail on the head when he tells Brando: “You’re not in the oil business, you’re …
[6] This star-studded best picture Oscar nominee is credited for kicking off the boom of disaster flicks that plagued (or bedazzled?) the 1970s. It’s entertaining enough, though I much prefer The Towering Inferno. All of the Airport movies (there would be two more over the next seven years) are fun if for no other reason than watching major Hollywood stars and revered actors slumming it …
[7] Richard Gere plays a navy cadet who falls in love with a factory worker played by Debra Winger. The romance part of the story doesn’t work as well as Gere’s combative relationship with his drill instructor, played by Louis Gossett Jr. Director Taylor Hackford (Dolores Claiborne, Ray) does a remarkable job grounding the melodrama, especially in the tragic third act, but I have a …
[8] Director Hugh Hudson (Chariots of Fire) delivers an emotionally compelling adaptation of Edgar Rice Burroughs’ vine-swinging legend. The first half of the movie, depicting Tarzan’s childhood up through his discovery by an Austrian explorer (Ian Holm), outshines the last, but the movie still works well overall. Christopher Lambert (Highlander) does a good job bringing out the extreme pathos of a character caught between two …
[7] Richard Beymer (West Side Story) stars as Ernest Hemingway’s alter-ego, a young man who comes of age by traveling the country and serving in the military during the early 1900s. With beautiful scenery of rural Michigan and Franz Waxman’s wistful score, the film is unabashedly romantic and nostalgic — it transports you to a time and place you’re reluctant to leave. But as Beymer …
[8] Steve McQueen plays a millionaire who robs a bank just for shits and giggles, and Faye Dunaway plays the insurance investigator who will either turn him in… or fall in love with him. Director Norman Jewison embraces the French New Wave to give the film a unique tone that favors style slightly higher than substance, and I’m okay with that. The result is a …
[6] A composer suffers from frequent black-outs and begins to wonder if he’s not responsible for a series of murdered women in the area. Hangover Square is a very good dark drama featuring a great performance by Laird Cregar. Some say this movie is a remake of 1944’s The Lodger (also starring Cregar), which is in turn a remake of Alfred Hitchcock’s 1927 film The …
[5] A London couple begin to suspect their new lodger might be a serial killer who preys on blonde women. And it just so happens their daughter is blonde. And dating one of the detectives on the case. Even though it’s a short film, I had trouble keeping alert throughout The Lodger — maybe I’m just not accustomed to watching many silent films. Still, I …
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