[8] I’ve loved James Dean ever since my high school art teacher showed me East of Eden and Rebel Without a Cause, which prompted me to write a senior essay on the famous actor’s life and work. So I’m coming to Mark Rydell’s made-for-cable biopic with some healthy scrutiny and high expectations. The film may be a little too brief in its overview to satisfy …
[10] Michael Douglas gives a career highlight performance as a fifty-year-old college professor worried about following up a sensational debut novel in this warm, character-driven comedy from Curtis Hanson (L.A. Confidential, 8 Mile) and author Michael Chabon. I was quickly hooked on each of the movie’s ensemble of anxious, quirky characters, all grappling with their own life-changing dilemmas. Tobey Maguire is excellent as the sullen …
[10] A profound, yes profound, pitch black satire that has become an anthem for a “generation of men raised by women”. From a gender studies perspective, Fight Club speaks to the fragility of masculine identity and the disturbing lengths to which misguided youth will go to feel like they belong, to have identity, to be men. Fight Club is famously reviled for its graphic depiction …
[10] The story of Titus Andronicus is a fascinating dissertation on human violence, and in the hands of visionary director Julie Taymor (Frida, Across the Universe), it becomes an orgasm of cinematic delight. It opens in the aftermath of war, as Titus (Anthony Hopkins) returns victorious to Rome, having just defeated the Goths and captured their queen, Tamora (Jessica Lange), and her sons. Fulfilling his …
[9] Writer/director Paul Thomas Anderson follows Boogie Nights with another sprawling emotional epic full of spectacular acting and rich directorial style. The screenplay is an exercise in whimsical allegory, connecting the lives of nine different characters in a sometimes obtuse retelling of the Exodus story, complete with an audacious, climactic rain of frogs. The many characters and subplots are held together remarkably well through Anderson’s …
[10] Anthony Minghella (The English Patient) adapts the Patricia Highsmith novel for the big screen, casts it perfectly, and delivers a superb character study and psychological thriller. Matt Damon anchors the film in the best performance of his career, playing the insecure but devious Tom Ripley, a lower-class New Yorker who serendipitously finds himself in Italy to locate a tycoon’s son and encourage him to return …
[9] Ian McKellen gives his most moving film performance to date as James Whale, director of the original Frankenstein, Bride of Frankenstein, The Invisible Man, and many other Golden Age titles. Bill Condon directs and adapts from a novel by Christopher Bram that focuses on the end of Whale’s life, as he’s haunted by the memory of a friend who died in the trenches and …
[9] In the wake of the Watergate scandal and the waning Vietnam War, a Connecticut family reunites for Thanksgiving while simultaneously pulling away from each other for private indiscretions. While the characters play in moral shades of gray — drugs, adultery, petty crimes, and sexual experimentation included– the namesake storm arrives, causing a tragedy that puts things in perspective. Based on the book by Rick …
[9] Ian Holm gives a career highlight performance in this Atom Egoyan adaptation of Russell Banks’ novel. Holm plays a lawyer who travels to a snowy, rural town to incite a lawsuit after a bus crash robs the community of its children. Naturally, no one trusts Holm at first, but the more he digs, the more secrets are uncovered, and the more the community unravels.
[9] Writer/director Paul Thomas Anderson’s ode to the ’70s porn industry brings poignant depth to its sensational subject matter. It’s also an amazing showcase of top-notch acting and directing. Anderson is a rare creative talent, as skilled with actors as with the camera, a compelling combination of Steven Spielberg and Robert Altman. The formidable cast includes Julianne Moore, Burt Reynolds, Don Cheadle, John C. Reilly, …
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