[5] A so-so sequel with a few decent action set pieces to offer, but Robert Downey Jr is the real set piece here. Without his snarky persona, the franchise wouldn’t have much to hang their hat on. The biggest weakness here is the lack of a great villain. Mickey Rourke’s vengeful Russian character leaves a lot to be desired and skews the film toward anti-climax. …
[4] Thor features solid direction from Kenneth Branagh, a rousing score from Patrick Doyle, and always stunning set design from Bo Welch. Tom Hiddleston gives the best performance in the film, as Thor’s jealous brother, Loki. No one else, including Chris Hemsworth in the title role, leaves much of an impression. Anchoring the film in utter mediocrity is a script as plain and predictable as …
[5] Disney’s first animated theatrical sequel is a technical and stylistic achievement featuring beautiful character and effects animation, rich background paintings, and thrilling music from the ever-underrated Bruce Broughton. The movie is best at the beginning, during a spectacular sequence in which a boy rides a giant eagle through the Australian outback. But after that, the script offers few surprises and our hero mice, Bernard …
[7] There’s a lot to like about the first animated feature produced by 20th Century Fox, even if the sum of the parts is a bit uneven. Directors Don Bluth and Gary Goldman (The Secret of NIMH, The Land Before Time) can always be relied upon for solid aesthetic design, but the merging of CGI with traditional animation is a little clunky here. The voice …
[6] John Stockwell (Christine) stars as a teenage motor head who steals a bizarre piece of alien technology from a local junk yard to try and pass off as his high school science project. Trouble is, the device keeps depleting its surrounding of any electrical charge. And the more energy it consumes, the more it begins tampering with the space-time continuum. Before long, Stockwell and …
[5] Batman V Superman: Dawn of Justice feels like a movie with an identity crisis, tasked with performing two disparate, thankless tasks. The first is to set up a big fight between two iconic superheroes. You know, the kind of thing that makes comic book nerds leave sticky puddles in their Underoos. Thing is, for all the wonder you might have about this climactic showdown, …
[6] Jupiter Ascending is probably the last big-budget studio picture from Andy & Lana Wachowski, the creators of The Matrix trilogy and some other movies that failed to live up to expectation. I admire the Wachowski’s ambition and I appreciate how they always try to push the envelope with content and execution. It’s not always a success, unfortunately. Jupiter Ascending is a huge, epic story …
[7] A mysterious carnival rolls into town, granting wishes at a sinister cost in Disney’s adaptation of the Ray Bradbury story. I wish the film were more strongly from the perspective of the two leading boys and that their parts were better written. But this is still a pretty entertaining fable that achieves some genuinely spooky moments. Jonathan Pryce steals the show as the carnival’s …
[5] Ewan McGregor and Cameron Diaz star in this odd-ball romance from director Danny Boyle (Trainspotting, Slumdog Millionaire). McGregor plays a janitor whose just been fired and Diaz plays a rich girl rebelling against her father (Ian Holm). McGregor kidnaps Diaz, Diaz suggests they extort her dad for ransom money, and the two begin to have feelings for each other. Meanwhile, the angel Gabriel (Dan …
[7] J.J. Abrams (Lost, Super 8) takes the directing reigns from creator George Lucas and delivers a better film than any of the prequels. Original core cast members join new players in a script co-written by Abrams and Lawrence Kasdan, who penned The Empire Strikes Back and Return of the Jedi with Lucas. The story takes place thirty years after the events of Return of …
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