True Romance (1993)

True Romance (1993)

[9]

This is a fucking cool-ass movie.  The screenplay by Quentin Tarantino is an exciting blend of violence, sweetness, and dark humor.  Director Tony Scott (Top Gun, Crimson Tide) brings it to life with his usual polished style, and attracts a large ensemble of A-list performers.  Christian Slater and Patricia Arquette play Clarence and Alabama Whorley, a comic book geek and a call girl who meet serendipitously and fall instantly in love.  As Tarantino says, the title of the movie is not meant to be ironic.  An edgy action movie may not be a likely place to find true love, but I would argue that Clarence and Alabama are a more engaging and believable couple than those found in the majority of romantic comedies.

Terminator 2: Judgment Day (1991)

Terminator 2: Judgment Day (1991)

[9] This is one of those rare sequels that is arguably better than its predecessor. It may not be as raw and moody as The Terminator, but Terminator 2 is a kick-ass action movie -- one of the best ever…
The Abyss (1989)

The Abyss (1989)

[9] Underwater oil drillers are forced to work with the military to recover lost nuclear warheads, but they discover far more lurking in the depths of the ocean... This unique underwater sci-fi/thriller from James Cameron (Terminator, Aliens) is an ambitious,…
Die Hard (1988)

Die Hard (1988)

[9] An off-duty police officer takes it upon himself to stop a gang of German terrorists who take an office Christmas party hostage in John McTiernan's iconic action film, Die Hard. Let me put it another way: Die Hard is The…
RoboCop (1987)

RoboCop (1987)

[10] In the not-so-distant future, a Detroit policeman is murdered by a vicious cop-killer, only to be resurrected as the ultimate cyborg law enforcer. But will RoboCop have free will, or will he be slave to the corporation that facilitated…
Aliens (1986)

Aliens (1986)

[10]

James Cameron accomplishes a rare feat with a sequel that doesn’t shame the original and succeeds on its own merits.  Aliens is so different in tone than the original Alien, I think of it as a sequel only in name (this goes for all the Alien movies).  In a smart move, Cameron decided not to compete with Ridley Scott in the areas of horror and suspense.  Aliens is decidedly a combat movie.

The Terminator (1984)

The Terminator (1984)

[9] A cyborg from the future attempts to assasinate the unwitting mother of a future man who will lead humanity in a war against 'the machines.' The Terminator remains one of the best sci-fi films of the '80s. Thanks in part…
Romancing the Stone (1984)

Romancing the Stone (1984)

[9]

This is the ultimate romantic adventure, complete with a great cast, exotic locations, and measured doses of action, humor, and heart.  Michael Douglas and Kathleen Turner never looked better.  They have that ephemeral “chemistry”, the kind that keeps you glued to the screen, rooting for them. The screenplay by Diane Thomas is well paced and constructed, giving plenty of breathing room to a romantic relationship that evolves naturally and believably.  Director Robert Zemeckis (Back to the Future, Forrest Gump) sprinkles memorable action scenes throughout the journey, including the swing across the gorge, the Bronco chase, and the waterfall.  I like the final showdown among all the adversaries, and how a certain alligator figures into the conclusion.  I’m also fond of Alan Silvestri’s score.  It may not be the traditional big orchestra type, but the contemporary/Caribbean/piano lounge feel (odd as it may be) gives the movie a distinct, appropriate sound.

Indiana Jones and the Temple of Doom (1984)

Indiana Jones and the Temple of Doom (1984)

[9] It may not be as clever or well-crafted as its predecessor, but the first Indy Jones sequel (which is technically a prequel) is still loads of fun. In place of the Nazis, we get a blood-drinking Indian cult, and…
Return of the Jedi (1983)

Return of the Jedi (1983)

[9] Compared to the previous two episodes in the original Star Wars trilogy, Return of the Jedi comes up a bit short in character and drama. Richard Marquand's direction isn't as elegant or purposeful as Irvin Kershner's (who directed The Empire Strikes…