[9]

This was the first blockbuster superhero movie (for better and for worse) and I doubt there will ever be a better film adaptation for the Man of Steel. Under Richard Donner’s (The Omen, Lethal Weapon) direction and good taste, Superman is a winning blend of action, drama, charm, and yes, camp. The first forty minutes are emotionally powerful, more than any other comic book adaptation I’ve ever seen. I get choked up every time I watch this movie, whether it’s seeing Marlon Brando (as Jor-El) say goodbye to his son before sending him away from their doomed home world, watching the Kent family deal with the death of Jonathan Kent, or the gorgeous wheat field scene where Clark tells Ma Kent it’s time for him to go.

Star Wars (1977)

December 14, 1977

[10]

Star Wars needs another review like a wookiee needs Rogaine, but let’s reflect anyway, lest we start to forget its cultural importance and overall awesomeness. After film reached (still) unparalleled popularity in the late ’30s and ’40s, television came along and the film industry instantly began to shrivel. The dry spell lasted until the mid-70s (perfect timing, mom and dad), when the ‘film school generation’ of filmmakers hit the scene. George Lucas was one of the primary figures in this movement, and Star Wars, more than any other single film, blew the box (office) apart and reinvigorated the movie business. This isn’t an exaggeration. If I hadn’t seen Star Wars and its sequels as a child, I doubt I’d like movies nearly as much as I do today. It remains an incredible cinematic achievement to the world, and a lasting influence on me.

The Ghost and Mrs. Muir (1947)

May 10, 1947

[9] A young, lonely widow gains her independence by moving into a seaside cottage where she begins a supernatural relationship with the ghost of a crusty sea captain. As the two begin to fall in love, a flesh-and-blood suitor rivals…

The Devil and Daniel Webster (1941)

September 20, 1941

[10]

William Dieterle’s adaptation of Stephen Vincent Benet’s The Devil and Daniel Webster is a winning combination of rustic Americana and dark fantasy. A cautionary tale of greed and power, the narrative centers around the character of Jabez Stone (James Craig), a down-on-his-luck farmer who is barely able to support his family in 1840s New Hampshire. When the nefarious Mr. Scratch (Walter Houston) appears during a moment of weakness, Jabez agrees to sell his soul in exchange for seven years of good luck. Much to the dismay of his wife (Ann Shirley), mother (Jane Darwell), and beloved politician Daniel Webster (Edward Arnold), Jabez slips into a downward spiral as a result of his newfound wealth and power. When his seven years are up, Jabez learns the error of his ways and wants to make amends. To escape his contract with the Devil, Jabez puts his fate in the hands of the almost mythic Daniel Webster, who represents him in a climactic barn room trial against Mr. Scratch and a jury of the damned.

The Wizard of Oz (1939)

September 18, 1939

[10] Those ruby slippers have lost no luster in the 80-plus years since the original release of The Wizard of Oz, a film that pretty much defines 'timeless classic'. In the L. Frank Baum story, a spoiled farm girl named…