[7] Director Morten Tyldum makes this true story of Alan Turing and his team of mathematicians fighting the second world war from their college studies as thrilling and interesting as possible. Benedict Cumberbatch headlines as the socially awkward leader of the group, a closeted homosexual who has a ‘beard’ relationship with a fellow smarty-pants played by Keira Knightley. The drama comes mostly from within the group, …
[7] Errol Flynn and Olivia de Havilland reteam after their initial pairing in Captain Blood. This time, they’re in a love triangle that plays out during an Indian massacre of British women and children, later spurring into action the contents of Alfred Lord Tennyson’s vengeful Charge. For a film from the ’30s, Charge has balls. You see women and children die on screen during some …
[7] Errol Flynn gives a low-key performance as a dedicated flight surgeon who teams with a bitter pilot (Fred MacMurray) to solve the problem of high altitude sickness and blackouts among Navy dive bombers. Despite the pre-WWII setting, this is more of a straight-forward drama built around the turbulent-turned-respectful relationship between Flynn’s and MacMurray’s characters. The only thing that bugged me about the movie is …
[7] Across the Universe follows a group of young people who come of age against the turbulent backdrop of the 1960s. The film is set to a constant stream of rejiggered Beatles tunes, which allows director Julie Taymor (Broadway’s The Lion King, Titus, Frida) to cut loose with her trademark visual splendor and poetic license in a wide variety of music video sequences. When the …
[7] Errol Flynn plays General George Custer in this romantic (though not very historically accurate) panache of the accomplished Civil War general who met a celebrated fate at Little Big Horn. Despite the liberties taken in the script, it’s a fun mini-epic of a movie with a lot to offer the Gone with the Wind crowd. Flynn gives one of his better performances here, opposite Olivia …
[5] Marlon Brando is terrific as Marc Antony in the centerpiece scene, rallying Rome to condemn Caesar’s assassins. The supporting cast, sets, Miklos Rozsa’s score, and the cast of thousands are impressive. But I’ll be damned if this movie didn’t have me fighting off sleep on more than one occasion. Maybe I need to see it again later, or maybe James Mason’s voice just puts …
[5] Personally, I’m not sure when I’ll ever be “ready” to see any dramatizations of September 11th, 2001. I definitely don’t want to see those events sensationalized. Thankfully, Oliver Stone exercises restraint with the material, opting to show the film almost entirely from two characters’ points of view. World Trade Center is a claustrophobic survival story centered around real-life survivors John McLoughlin (Nicolas Cage) and …
[7] If you’ve only seen James Cameron’s telling of the R.M.S. Titanic’s tragic 1912 sinking, you might be surprised how much that film owes to this earlier British version directed by Hammer and Amicus alum Roy Ward Baker (Scars of Dracula, Asylum) — set pieces and shots are eerily similar. A Night to Remember is a fast-paced thriller disaster movie that refrains from easy sentiment …
[8] Martin Scorsese unleashes this epic tale of 1860s New York City street battles, with Leonardo DiCaprio starring as a young man with a vendetta against the near legendary Bill the Butcher (Daniel Day-Lewis). See, DiCaprio’s character saw Day-Lewis’s character kill his father in the big opening battle scene, and then DiCaprio’s character goes away for a while. Once he’s of age, he comes back …
[5] George Clooney and Cate Blanchett star in Steven Soderbergh’s homage to war-time film noir, right down to the black and white 4×3 Academy aspect ratio. Clooney plays an American military journalist who tries to figure out who shot his driver (Tobey Maguire) in Berlin, after Germany fell but before the atomic bomb. Then Clooney discovers he and Maguire have bedded the same woman, a …
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