[7] Across the Universe follows a group of young people who come of age against the turbulent backdrop of the 1960s. The film is set to a constant stream of rejiggered Beatles tunes, which allows director Julie Taymor (Broadway’s The Lion King, Titus, Frida) to cut loose with her trademark visual splendor and poetic license in a wide variety of music video sequences. When the …
[6] Breakthroughs in technology make the aural component of this sequel superior to the first, while advances in computer-generated imagery often leave Fantasia 2000 feeling cold and clunky. I like the abstract butterfly battle set to Beethoven’s 5th and the Al Hirschfeld inspired New York sequence set to “Rhapsody in Blue,” but the rest of the program is lackluster at best. Flying CGI whales set …
[6] A handful of fun musical numbers and charismatic performances make Grease an entertaining ride. John Travolta, Stockard Channing, and Jeff Conaway are the ones who really shine. Olivia Newton-John is better when she’s singing than when she’s acting, but the fact that she was able to pour herself into those skimpy leather pants at the end should surely count for something! I wish the …
[8] Dreamworks Animation’s maiden voyage is a stunning achievement of sight and sound. Impressionistic background paintings blend with sexy, angular character designs, all set to a brilliant soundtrack by composer Hans Zimmer and lyricist Stephen Schwartz. It kills me that stories from The Bible still pass as family entertainment, but I’m glad they do — how else am I going to find a mature, animated …
[8] This version of Hairspray disarms you from the very beginning notes of “Good Morning, Baltimore” and builds to one of the most joyful finales of any movie in recent memory. The musical numbers are all superbly choreographed and staged by director Adam Shankman, but it’s the last half-hour of this movie that really seals the deal for me. The climactic performance of “You Can’t …
[7] The Muppets have my blessing to reinterpret any piece of literature they want (except maybe Naked Lunch). It’s fun to see which characters are played by which Muppets, and all my favorites are featured in The Muppet Christmas Carol, from heckling critics Statler & Waldorf to gruff Sam Eagle. Michael Caine gives a faithful performance as Scrooge, and a lot of Dickens’ exact lines …
[7] There’s a lot to like about the first animated feature produced by 20th Century Fox, even if the sum of the parts is a bit uneven. Directors Don Bluth and Gary Goldman (The Secret of NIMH, The Land Before Time) can always be relied upon for solid aesthetic design, but the merging of CGI with traditional animation is a little clunky here. The voice …
[6] Prince and his Revolution members all play roles in this rock opera that’s equal parts cheese and cool. If you love Prince’s music (that is, if you have a pulse), that’ll be enough for you to enjoy the movie. It’s basically a concert movie where half the songs are performed and half serve as score behind the loose narrative. The script works best when …
[5] This early Best Picture Oscar winner is a three-hour mix of song, dance, and narrative, much like Broadway Melody before it. I was expecting a real stinker, especially when the opening credits revealed “Fashion Parades by Adrian”. But apart from being overly long and anachronistic, it wasn’t so bad. The narrative is fashioned loosely around the life of Broadway’s legendary Florenz Ziegfeld Jr (the …
[4] For its racist stereotypes and sugar-coated depiction of plantation life in the post-Civil War South, Disney has locked away Song of the South from the public since its last re-release in 1986. I don’t think the film is any more offensive than countless others made before desegregation (Gone with the Wind among them). In fact, putting its social infractions in historical context is probably …
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