[6] An alcoholic news reporter is determined to catch a murderer after he becomes a suspect for the assailant’s weekly attacks. For a giallo flick, Luigi Bazzoni’s The Fifth Cord lacks a compelling mystery or any memorable death scenes. But Bazzoni and three-time Oscar-winning cinematographer Vittorio Storaro (Apocalypse Now, The Last Emperor) damn near make up for it in their exquisite framing and painterly lighting. …
[7] M. Night Shyamalan (The Sixth Sense, Signs) returns to form after over ten years of sub-par and crappy output. The Visit is a small-scale but clever character-driven thriller about two children who go for a week-long visit with grandparents they’ve never met before. Things are okay at first, but then the grandparents begin exhibiting strange behavior. Then things start to get spooky… and that’s all …
[4] American International Pictures uses Edgar Allan Poe’s story as a backdrop for what is really an original mystery story about actors in a turn-of-the-century Grand Guignol theater who are being murdered one by one. Jason Robards headlines as one of the troup, someone who may not be who he appears to be. Christine Kaufmann plays his wife and fellow thespian. She’s having dreams and premonitions …
[4] Jesse Eisenberg, Woody Harrelson, Mark Ruffalo, Dave Franco, Morgan Freeman, and Michael Caine all return for another game of magicians playing cat and mouse. (Isla Fisher is noticeably replaced with a new character played by Lizzy Caplan.) I enjoyed the first Now You See Me, and I like the entire cast for both movies. But sometimes that’s just not enough. The sequel tries to add …
[7] Jordan Peele of Key and Peele comedy fame takes an auspicious stab at writing and directing a horror film with Get Out, the story of a young black man who starts to get the heebie jeebies after being introduced to his white girlfriends’ family. At first, it’s innocent enough — white people making statements about voting for Obama, loving Tiger Woods, and conceding to …
[8] Joseph Cotten uncovers a conspiracy surrounding a deceased friend in The Third Man, a masterfully crafted film noir thriller from author Graham Greene and director Carol Reed. Reed keeps the story moving at a brisk pace, surrounding Cotten’s character with a superb supporting cast that includes Alida Valli, Trevor Howard, Bernard Lee, and Orson Welles. Robert Krasker’s Oscar-winning cinematography is a revelation, turning war-torn …
[7] Charles Laughton plays H.G. Wells’ mad scientist in the first film version of The Island of Dr Moreau. It’s a reasonably faithful adaptation until the halfway point, where it gets as loose as the Demi Moore version of The Scarlet Letter. Wells’ provocative suggestions about man’s animal nature remain largely submerged in the movie’s Saturday matinee atmosphere. Leading man Richard Arlen (so striking in …
[5] Nick Nolte and Jacqueline Bisset play deep sea divers who stumble upon a sunken supply of morphine and Spanish treasure. They enlist the help of Robert Shaw (in one of his final performances) to excavate their findings, all while fighting off a giant moray eel and a voodoo drug lord played by Louis Gossett, Jr. The Deep, written by Peter Benchley, is an obvious …
[4] Inspired by conspiracy theories that the moon landing was a hoax, Capricorn One depicts a fictitious manned trip to Mars. Hal Holbrook gives a face to the evil government who forces astronauts James Brolin, Sam Waterston, and O.J. Simpson to play along, and then seeks to destroy them when the conspiracy is threatened to be uncovered, thanks to a probing journalist played by Elliott …
[6] This made-for-cable fantasy/noir yarn features Fred Ward as a private detective searching for a book of spells in an alternate 1940s Hollywood where monsters and magic are part of everyday life. Think Who Framed Roger Rabbit with magic instead of cartoons. As fantastic as it sounds, the script is fairly conventional and predictable. A major clue hinges on revealing a “she” to be a “he,” …
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