The Treasure of the Sierra Madre (1948)

The Treasure of the Sierra Madre (1948)

[9]

Three desperate men scrape together everything they can muster to go prospecting for gold and discover not just riches, but the destructive greed that comes with them. This is one of John Huston’s finest works, a male bonding adventure that doubles as a dark morality tale. Humphrey Bogart is terrific in the leading role, especially when his character begins turning into the monster of the piece. Outside of film noir, you rarely see protagonists like Bogart’s go evil without the film losing favor with the audience. Maybe we still feel a little sympathy for him because we see his dark potential in ourselves?

Casablanca (1942)

Casablanca (1942)

[9] Everybody comes to Rick's, and everyone loves Casablanca. What's not to like? Humphrey Bogart turns in a commanding performance as Rick, the reluctant American exile who runs a popular nightclub in North Africa during early World War II. He…
Mrs. Miniver (1942)

Mrs. Miniver (1942)

[10] William Wyler's portrait of an English family weathering the darkest hours of World War II is a moving drama about hope and persistence. There's a quiet strength and noble resolve about the characters in this movie that I find…
The Grapes of Wrath (1940)

The Grapes of Wrath (1940)

[10] John Ford directs John Steinbeck's Pulitzer Prize-winning tale of a destitute Oklahoma family who pile everything they own into a jalopy and head for California in hope of finding work and a new home. The Grapes of Wrath puts…
It Happened One Night (1934)

It Happened One Night (1934)

[9] Somewhere along the way, Hollywood forgot how to make good romantic comedies. Because there are plenty of them to be found in the '30s and '40s, with Frank Capra's It Happened One Night being chief among them. Claudette Colbert…
All Quiet on the Western Front (1930)

All Quiet on the Western Front (1930)

[9] The grand-daddy of 'anti-war' war movies is Lewis Milestone's All Quiet on the Western Front, the first non-musical 'talkie' to win the best picture Academy Award. The film is stylistically way ahead of its time, with sweeping camera movement,…