The Fighter (2010)

The Fighter (2010)

[8] David O. Russell directs a top-notch cast in this story of a Massachusetts boxer who tries to get out from under the influence of his crack-addicted brother and domineering mother. If those character descriptions sound like Oscar-bait, indeed they…
The Life of Emile Zola (1937)

The Life of Emile Zola (1937)

[7] Paul Muni stars as Emile Zola, the famous French author whose critical writings brought the scorn of the French government, especially when he came out in support of a wrongfully-condemned army officer. The first half of this film, directed…
All the President’s Men (1976)

All the President’s Men (1976)

[4] Alan J. Pakula (Sophie's Choice, The Pelican Brief) directs the big-screen story of how Washington Post reporters Bob Woodward and Carl Bernstein cracked the Watergate scandal that lead to President Nixon's resignation. I love Robert Redford and Dustin Hoffman…
Spartacus (1960)

Spartacus (1960)

[8]

Fans of Ridley Scott’s Gladiator might be surprised how much they will also enjoy (perhaps even prefer) its progenitor. Stanley Kubrick’s Spartacus is a briskly-paced epic, and uncharacteristically emotional compared to his other work. Kirk Douglas is iconic in the lead role, playing a slave forced to fight in the gladiatorial arena for the enjoyment of the aristocracy. Of course he falls in love with a fellow slave girl, of course he escapes, and of course he leads a mammoth army of slaves in revolt against Rome… but when these broad strokes are painted so earnestly, I don’t care. The bleak, bold final act of the film is what really sells the story for me.

Little Miss Sunshine (2006)

Little Miss Sunshine (2006)

[10] I love road movies and ensemble pieces, but Little Miss Sunshine goes one step further by saying something we all need to hear from time to time: it's okay to fall short of ambition. The film throws six disparate…
Ed Wood (1994)

Ed Wood (1994)

[10] I doubt Tim Burton will ever make a finer film. Armed with a powerhouse screenplay by Scott Alexander and Larry Karaszewski (The People vs Larry Flynt), Burton turns the biography of Hollywood's most infamously bad director into a poignant…
Ordinary People (1980)

Ordinary People (1980)

[10]

Robert Redford directs this adaptation of Judith Guest’s novel, about a family reeling from the accidental death of the eldest child. Unlike so many dramas, it’s what you don’t see and what isn’t said that makes Ordinary People such a gut-wrenching, powerfully moving film.

Timothy Hutton, Donald Sutherland, and Mary Tyler Moore give superb performances as family members struggling to reconnect with one another after the tragedy. Hutton won the Best Supporting Actor Oscar for his raw, riveting portrayal of young Conrad Jarrett.  Moore plays his mother, an emotionally unavailable woman barricading herself from further distress by ignoring her family’s problems, even after Conrad tries to take his own life. Sutherland plays the father, the mediator between mother and son, desperately trying to hold his family together. Judd Hirsch appears as Conrad’s therapist, a savior shrink who forces Conrad to confront his guilt and fear. 

The Last Picture Show (1971)

The Last Picture Show (1971)

[10] Peter Bogdanovich adapts Larry McMurtry's nostalgic coming-of-age tale, creating a film so believably rooted in a lonely time and place (the early '50s Texas dust bowl), that you have a hard time shaking it when it's over. The film…
All About Eve (1950)

All About Eve (1950)

[10] Bette Davis revived her sagging career and writer/director Joseph L. Mankiewicz continued an Oscar streak with All About Eve. Davis stars as Margo Channing, an aging broadway star who takes a sympathetic, aspiring ingenue under her wing. Anne Baxter…
The Treasure of the Sierra Madre (1948)

The Treasure of the Sierra Madre (1948)

[9]

Three desperate men scrape together everything they can muster to go prospecting for gold and discover not just riches, but the destructive greed that comes with them. This is one of John Huston’s finest works, a male bonding adventure that doubles as a dark morality tale. Humphrey Bogart is terrific in the leading role, especially when his character begins turning into the monster of the piece. Outside of film noir, you rarely see protagonists like Bogart’s go evil without the film losing favor with the audience. Maybe we still feel a little sympathy for him because we see his dark potential in ourselves?