[8] A young man’s soul is transferred to a mysterious portrait that bears the decay and debauchery of his lifestyle. The most interesting thing about this Oscar Wilde tale is that you are never told what Dorian Gray’s sins are, though the film adaptation hints at everything from drugs and alcohol to carnal sins with both men and women. Hurd Hatfield plays the icy cold …
[8] Dreamworks Animation’s maiden voyage is a stunning achievement of sight and sound. Impressionistic background paintings blend with sexy, angular character designs, all set to a brilliant soundtrack by composer Hans Zimmer and lyricist Stephen Schwartz. It kills me that stories from The Bible still pass as family entertainment, but I’m glad they do — how else am I going to find a mature, animated …
[7] John Wayne took home the Oscar for his performance as crotchety Rooster Cogburn, an alcoholic US Marshall recruited by a young girl (Kim Darby) to capture her father’s killer and bring him to justice. Wayne is low key as always, but it works pretty well for him. Except for Robert Duvall as the villainous Ned Pepper, the rest of the casting leaves something to …
[8] The Disney Animation Studios took Shakespeare’s Hamlet and transplanted it to the African savanna with an all-animal cast. Buoyed by a hit soundtrack, lush visuals, memorable characters, and a daring blend of intense drama and whacky humor, the film became the critical and financial climax of the late ’80s/early ’90s Disney renaissance. For me, the truly exceptional elements of the film are the music, …
[6] Henry Fonda is caught between a beleaguered WWII cargo crew and their vindictive captain in this oddly cheerful, lightweight drama directed by John Ford and Mervyn Leroy. James Cagney hams it up as the nutcase captain while William Powell makes a graceful big screen exit as the ship’s doctor. Jack Lemmon won the first of his two Oscars for his supporting role as an …
[6] This star-studded best picture Oscar nominee is credited for kicking off the boom of disaster flicks that plagued (or bedazzled?) the 1970s. It’s entertaining enough, though I much prefer The Towering Inferno. All of the Airport movies (there would be two more over the next seven years) are fun if for no other reason than watching major Hollywood stars and revered actors slumming it …
[7] James Cameron’s first film since Titanic is a supreme juvenile fantasy with a healthy sense of adventure and discovery. From its floating mountains to its bio-luminescent flora and fauna, the world of Pandora never stops unfolding before our eyes, and it’s a beautiful, trippy little place to visit. The core concept of Avatar — that of experiencing life through a separate host body — …
[7] Richard Gere plays a navy cadet who falls in love with a factory worker played by Debra Winger. The romance part of the story doesn’t work as well as Gere’s combative relationship with his drill instructor, played by Louis Gossett Jr. Director Taylor Hackford (Dolores Claiborne, Ray) does a remarkable job grounding the melodrama, especially in the tragic third act, but I have a …
[6] This movie version of Irving Berlin’s musical is chintzy fun kept afloat by cartoonish performances from leads Betty Hutton and Howard Keel. Watching the movie at this end of the feminist movement can be frustrating. While Annie Oakley is presented as a strong, brutish character, she ultimately stifles herself to win the love of Frank Butler (Keel). The film is also considered racist for …
[5] Claude Rains is gold in all his scenes as the god-like Mr. Jordan, but I find the movie’s playfully fatalistic view of love and self-purpose too saccharine to swallow. Robert Montgomery is also good as the deceased boxer who, due to heavenly oversight, gets the opportunity to rejoin the living by possessing the bodies of freshly dead strangers. The film was nominated for several …
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