[9] Martin Scorsese directs Leonardo DiCaprio in this biopic of Howard Hughes, the billionaire aviator, filmmaker, and playboy whose considerable ambition was tragically counterbalanced by his mental illness. The Aviator opens with Hughes’ mammoth, three-year-long production of the aerial battle movie Hell’s Angels and his budding romance with Katharine Hepburn (Cate Blanchett). He makes considerable advances in the field of aviation and challenges the movie …
[10] Peter Jackson (Dead Alive, The Frighteners) embraces the Herculean task of bringing Tolkien’s supreme fantasy to the silver screen, and hits a home run. The Fellowship of the Ring gets the trilogy off to a strong start, as Frodo Baggins and his companions set off to destroy the One Ring. Jackson is faithful to the source material while masterfully balancing action, horror, heart, and …
[9] The Hours is a fascinating exploration of three women living in different times and different places, each of them struggling to find their personal bliss against the pressures and expectations of marriage and motherhood. The film is a meditation on death and sacrifice — obviously not the kind we associate with men on the battlefield, but the quiet, stifling kind suffered by people, traditionally …
[9] A racist, alcoholic prison guard finds himself falling in love with an African-American woman who just happens to be the widow of a man he helped to execute in this film from Marc Forster (Stranger than Fiction, Finding Neverland). Halle Berry is stunning in her Oscar-winning performance, but so is the rest of the cast, including Billy Bob Thornton as the prison guard, Heath …
[10] Michael Douglas gives a career highlight performance as a fifty-year-old college professor worried about following up a sensational debut novel in this warm, character-driven comedy from Curtis Hanson (L.A. Confidential, 8 Mile) and author Michael Chabon. I was quickly hooked on each of the movie’s ensemble of anxious, quirky characters, all grappling with their own life-changing dilemmas. Tobey Maguire is excellent as the sullen …
[9] A man slowly discovers that reality is not what it seems and that we are all actually slaves to more advanced technological organisms in this uber-cool, groundbreaking sci-fi flick with an incredible screenplay and visionary aesthetics. There is a place in cinema for Keanu Reeves, and it is The Matrix. (Who knew?) Carrie-Anne Moss and Laurence Fishburne steal the show, both playing walking talking …
[9] Ian McKellen gives his most moving film performance to date as James Whale, director of the original Frankenstein, Bride of Frankenstein, The Invisible Man, and many other Golden Age titles. Bill Condon directs and adapts from a novel by Christopher Bram that focuses on the end of Whale’s life, as he’s haunted by the memory of a friend who died in the trenches and …
[9] By anchoring his screenplay in one of the most inherently compelling tragedies of the twentieth century and placing the the weight of the story on Kate Winslet’s able shoulders, James Cameron concocts a recipe for the biggest money-making movie of all time (still true as of this writing, though his own Avatar threatens to dethrone the ill-fated vessel). The movie is split in two, …
[9] A terrific script and loveable characters send Toy Story soaring. At the heart of the simple storyline are two toys with character arcs as compelling as any of their live-action counterparts. Woody (Tom Hanks) is a pull-string cowboy who’s afraid of being replaced as his owner’s favorite, and Buzz (Tim Allen) is the new, gadget-enhanced astronaut who doesn’t accept the fact that he’s a …
[10] I doubt Tim Burton will ever make a finer film. Armed with a powerhouse screenplay by Scott Alexander and Larry Karaszewski (The People vs Larry Flynt), Burton turns the biography of Hollywood’s most infamously bad director into a poignant and hilarious film about never giving up… no matter how much you might suck. The film is admittedly white-washed, concentrating and embellishing upon Ed Wood’s …
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