An American Werewolf in London (1981)

An American Werewolf in London (1981)

[10] With the success of Animal House and The Blues Brothers behind him, director John Landis was able to take a chance on a horror-comedy about two American college students who have a close encounter of the hirsute kind while backpacking through the English…
Raiders of the Lost Ark (1981)

Raiders of the Lost Ark (1981)

[10]

Steven Spielberg wanted to make a James Bond movie until his buddy George Lucas said, ‘I have a better idea.’ And he did. Lucas created Indiana Jones, a globe-trotting archaeologist who sought treasure for fortune and glory while encountering a variety of adversaries in his travels, starting with the Nazis in Raiders of the Lost Ark. Indiana Jones would become the new name of film adventure in the 1980s, paying homage to the cliffhanger serials of yesteryear while simultaneously elevating them with a bigger budget and more attention to craft and character. Lawrence Kasdan’s screenplay for Raiders of the Lost Ark is a well-oiled machine that never falters or skips a beat, balancing the thrills with a healthy dose of humor and the spectacle with likeable characters with whom you’re more than happy to go the distance.

The Empire Strikes Back (1980)

The Empire Strikes Back (1980)

[10] After deciding directing wasn't his favorite thing to do, George Lucas enticed his former professor Irvin Kershner (Eyes of Laura Mars, Return of a Man Called Horse) to helm the dark second act of the famous trilogy. The Empire…
Ordinary People (1980)

Ordinary People (1980)

[10]

Robert Redford directs this adaptation of Judith Guest’s novel, about a family reeling from the accidental death of the eldest child. Unlike so many dramas, it’s what you don’t see and what isn’t said that makes Ordinary People such a gut-wrenching, powerfully moving film.

Timothy Hutton, Donald Sutherland, and Mary Tyler Moore give superb performances as family members struggling to reconnect with one another after the tragedy. Hutton won the Best Supporting Actor Oscar for his raw, riveting portrayal of young Conrad Jarrett.  Moore plays his mother, an emotionally unavailable woman barricading herself from further distress by ignoring her family’s problems, even after Conrad tries to take his own life. Sutherland plays the father, the mediator between mother and son, desperately trying to hold his family together. Judd Hirsch appears as Conrad’s therapist, a savior shrink who forces Conrad to confront his guilt and fear. 

Alien (1979)

Alien (1979)

[10] Ridley Scott's sci-fi/horror opus Alien is a haunted house movie set in outer space, where a ragtag team of "space truckers" do battle with one of the most fascinating monsters in movie history. Scott is one of the finest…
Star Wars (1977)

Star Wars (1977)

[10] Star Wars needs another review like a wookiee needs Rogaine, but let's reflect anyway, lest we start to forget its cultural importance and overall awesomeness.  After film reached (still) unparalleled popularity in the late '30s and '40s, television came…
Network (1976)

Network (1976)

[10] A suicidal TV news anchorman strikes a nerve with the public, prompting his network to bastardize their news hour with his crackpot proselytizing. Before long, the network embraces pure tabloid sensationalism -- live assassinations and all. Network is now…
Jaws (1975)

Jaws (1975)

[10] Steven Spielberg's adaptation of Peter Benchley's shark thriller is extraordinarily well made and far more sophisticated than your average monster movie. The first half is a solid scare-fest that unwinds beautifully, from the first vicious attack on a late…
The Texas Chain Saw Massacre (1974)

The Texas Chain Saw Massacre (1974)

[10] Oh, Texas Chain Saw Massacre, how do I love thee?  Let me count the ways... I love that you're an unrelenting free fall into madness. I love that your first half is mysterious and suspenseful, and that your second…
Paper Moon (1973)

Paper Moon (1973)

[10] In the Depression-era Dust Bowl, a traveling con man strikes up an unlikely relationship with an orphan girl who may or may not be his daughter. Director Peter Bogdanovich (The Last Picture Show) coaxes magnificent performances from real-life father…