[4] An American family moves into a British mansion with an old woman (Bette Davis) whose young daughter disappeared over thirty years ago. When the American family’s two daughters begin hearing and seeing things, it quickly becomes obvious that Davis’ daughter is trying to communicate with them through supernatural means. The mystery is so paper thin here, you’ll be ahead of the movie the whole …
[7] Deep Impact feels like an old-fashioned Irwin Allen disaster flick — and I dig that. Basically, the world learns that an asteroid is headed toward earth and we have one year before we can attempt to destroy it with a NASA space mission. So the mid-point of the film focuses on that mission, and — spoilers ahead! — it doesn’t go well. So Deep Impact …
[8] Spoiler Review! Sylvester Stallone further cemented his action super-star status with this smart, character-driven thriller about a former Green Beret suffering from post-traumatic stress who gets bullied by a small mountain-town sheriff and his deputies. When the soldier finally defends himself, the police force him into an all-out war in the misty mountainside, where his special training helps him evade the law and stay …
[8] Michael Mann (Miami Vice, Heat) brings Thomas Harris’ novel Red Dragon to the big screen, introducing movie-goers to Hannibal Lecktor for the first time. Manhunter stars William Petersen (CSI) as an FBI profiler trying to stop a serial killer dubbed ‘The Tooth Fairy’ before he kills again. To stop the mad man, Petersen’s character decides to solicit the help of another mad man — …
[6] Writer/director Jeff Nichols (Take Shelter, Mud) serves up a supernatural drama about a father (Michael Shannon) trying to smuggle his son cross-country while avoiding both the government and the religious cult from which they escaped. Turns out the boy is gifted with strange powers that continue revealing themselves throughout the film. Is he an alien? Is it a government conspiracy? Nichols is hoping you’ll …
[7] Fede Alvarez (The Evil Dead remake) directs the hell out of this claustrophobic thriller about three horrible, stupid, awful twenty-somethings who break into a blind Gulf War veteran’s home to steal $300,000, only to realize they’ve severely underestimated their opponent. Hollywood hasn’t released a thriller this tense in a long time — that’s the good news. The bad news — at least for me …
[7] For the entirety of this film, you never leave a pine box buried in the desert. It’s a gimmick, but it’s a good one. Star Ryan Reynolds and director Rodrigo Cortes work magic to build drama and suspense in a confined space. By the end of the movie, you’re as anxious for Ryan to get out of the box as you’ve ever been engaged …
[4] Four teenagers decide to lock themselves in an underground bunker for three days of a good time, but when a mutual acquaintance doesn’t return to let them out, things start to get hairy. The concept is okay, but the twisty script shows its hand too early in the game and there isn’t a relatable or engaging character in the bunch. With Desmond Harrington, Thora …
[5] This Australian TV movie from Peter Weir is a subdued psychological thriller about a woman who grows increasingly frustrated and fearful of an eccentric plumber. Weir (Witness, Dead Poets Society) throws in a little commentary on the issue of class prejudice and does a good job building some suspense, but the stakes aren’t high enough, nor the motivations dire enough, for the movie to …
[7] Gregory Peck plays a prosecutor terrorized by Robert Mitchum, a recently released convict Peck sent to prison eight years ago. Director J. Lee Thompson (Guns of Navarone) takes his cues from Hitchcock and crafts a film that can compete with much of Hitch’s work (it helps to have Bernard Herrmann doing the music.) The censors put just enough of a damper on the film …
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