Cocktail (1988)

Cocktail (1988)

[3] Cocktail is everything awful about calculated '80s studio film making. It's as if Touchstone Pictures said, 'Hey, we have Tom Cruise and a killer soundtrack -- quick! Someone write a script!" And that script (based on a book by…
This Is 40 (2012)

This Is 40 (2012)

[6]

Leslie Mann and Paul Rudd star as two 40-year-olds struggling to balance the demands of their marriage, children, parents, and jobs. This Is 40 is billed as a ‘sort of’ sequel to Knocked Up, where Mann and Rudd originated the roles. Both films were directed by Judd Apatow, and both take a more pastiche approach to their narratives. On one hand, I like the fly-on-the-wall approach. It favors character over formulaic story structure. On the other hand, without that trusted structure, Apatow’s movies just seem to go on forever and ever and ever. This one is two hours and fifteen minutes, and I stand by my rule that no comedy should exceed an hour forty five.

Dark Blue (2003)

Dark Blue (2003)

[7] Dark Blue uses the Rodney King beating as a backdrop in a tale of police corruption. You could almost think of it as a modern version of L.A. Confidential. It's interesting to see the main protagonist (Kurt Russell) as…
Superman IV: The Quest for Peace (1987)

Superman IV: The Quest for Peace (1987)

[2] The short review: WTF? The longer review: From the first opening frame, you know right away this is a cheap, watered down, bargain basement Superman movie. (Thank you, Golan-Globus Productions!) But even if you can overlook the astonishingly awful…
Thunder Rock (1942)

Thunder Rock (1942)

[6] Part ghost story, part wartime propaganda flick, this heady British production is truly an unusual find. Michael Redgrave plays an American lighthouse keeper who has withdrawn from the world. Having lost all faith in humanity, especially in light of…
Heaven Can Wait (1978)

Heaven Can Wait (1978)

[5] A light, fluffy, inconsequential comedy about a man who dies and is given the opportunity to return to life in another man's body. The movie works best during it's 'fish out of water' scenes, where Warren Beatty interacts with…
The Night of the Iguana (1964)

The Night of the Iguana (1964)

[6] John Huston adapts Tennessee Williams' play for the big screen, and finds big stars to play the parts. Richard Burton and Ava Gardner deliver great performances as a defrocked priest and a jaded hotel owner, both on the verge…
Tom Jones (1963)

Tom Jones (1963)

[4] It must have been a weak year at the movies for this to have been the winner of the Best Picture Oscar. Tom Jones is a meandering mess of a narrative, with no strong through line and a bizarre…
The Thing (2011)

The Thing (2011)

[4] While it's technically a prequel, this new Thing is a lot like the old Thing, but pales by comparison in every conceivable way. The characters are less engaging, the atmosphere is less palpable, the tension is lacking, and the…
The Amazing Spider-Man (2012)

The Amazing Spider-Man (2012)

[6]

Director Marc Webb (500 Days of Summer) takes on the web-slinging superhero in this hasty reboot of the franchise (just five years after Sam Raimi finished his trilogy). Andrew Garfield (The Social Network, Never Let Me Go) stars as Peter Parker, a high schooler who gets bitten by a radioactive spider and… you know the rest. The approach here is more realistic than Raimi’s, which provides Garfield (one of the finest actors of his generation) the opportunity to sink his teeth into a surprisingly angsty role. I can’t think of another time when a superhero role provided an actor more dramatic range. Emma Stone (Easy A, Zombieland) is given far less to do as Parker’s love interest, Gwen Stacy, but she makes the most of it. Martin Sheen and Sally Field bring gravitas in the roles of Parker’s Uncle Ben and Aunt May, while Denis Leary plays the police chief who doesn’t appreciate Spider-Man’s vigilante antics. Rhys Ifans (Notting Hill) picks up the mantle of super-villain, playing Curt Connors, a sympathetic scientist who’s desire to rid the world of disease leads to risky, gene-splicing self-experimentation. He becomes Parker’s third-act adversary — a raging Lizard monster.