[7] Peter Lorre gives a star-making performance as a child murderer running from both the law and the criminal underground in this stylish early ‘talkie’ from Fritz Lang (Metropolis). As much as I love both Lang and Lorre, M is a mixed bag for me. It starts off brilliantly, with the children singing and the villain’s shadowy introduction. But as the movie becomes more about …
[4] I want to like a Marx Brothers movie. Really, I do. But this is the third for me (after their earlier efforts, The Cocoanuts and Animal Crackers) and so far, no dice. In this, their first film written specifically for the silver screen (and not based on a play or vaudeville act), the brothers stow away on a transatlantic cruise where they constantly outrun …
[5] Whenever Bela Lugosi isn’t onscreen, you can’t wait for him to return in this cornerstone of on-screen horror. His iconic portrayal is the best thing this movie has going for itself. I also liked some of the sets and Dwight Frye’s crazy performance as Renfeld. The rest of the cast are not particularly good, and I would like the Dracula/Mina relationship to have been …
[7] This is the first of at least three film versions of Robert L. Sherwood’s play about an American soldier who falls in love with a Londoner during a World War I air raid, unaware that she is a prostitute. Director James Whale (Frankenstein, The Invisible Man) delivers a solid melodrama with two great lead performers. I was particularly taken with Kent Douglass as Roy. …
Copyright © 2024 | Theme by MH Themes