[7] Mae West wrote and stars in I’m No Angel, one of her more absurd and uncompromised outings, released before Hollywood began imposing its Production Code on films. After the Code, West’s sultry and witty charm would be considerably watered down. I’m No Angel would even be banned for fourteen years after its initial release. But here we have her in full bloom, playing (of …
[8] Barbara Stanwyck stars as Lily Powers, the poor daughter of a speakeasy owner, who takes an old philosopher’s advice to start using her feminine wiles (or ‘lily power’) to get ahead in life. After her nasty father dies in a distillery fire, Lily moves to New York City and literally sleeps her way, floor by floor, to the top of a banking company. She …
[6] Director George Cukor (Gaslight, Adam’s Rib) adapts this stage play about a wealthy couple who invite a handful of high society friends for, you guessed it — Dinner at Eight. Everyone’s got a problem or a secret they’re grappling with, and everyone seems to be connected to each other in some way. Lionel Barrymore’s on the verge of losing his shipping company while John …
[7] Mae West stars as an 1890’s club entertainer courting a variety of suitors while a dangerous boyfriend promises retribution if she leaves him. While the suitors keep her covered in diamonds, it’s the man running a mission next door who most strikes West’s fancy. That man is played by Cary Grant, in one of his earliest screen appearances. Based on West’s own stage play, …
[5] Pre-Code bad girl Barbara Stanwyck stars in this hybrid of a love story and a prison movie. Stanwyck plays Nan, a woman who works with a team of mobsters who rob banks. She goes in and distracts the security guards while the men rush in with guns and grab the cash. But Nan is eventually captured and sentenced to prison. But then an evangelical …
[8] King Kong, the grandfather of all monster movies, is an ambitious visual effects extravaganza servicing a fast-paced adventure story. The film’s action set-pieces have inspired generations, whether its Kong’s clashes with prehistoric creatures on spooky Skull Island or his iconic last stand atop the Empire State Building. The film works fine as a good old-fashioned matinee movie, but its “Beauty and the Beast” overtones …
[8] It’s the Great Depression and young boys (and a few girls) are running away from home to lessen the burden on their poor families. This movie follows two boys, played by Frankie Darro and Edwin Phillips, who hop aboard train after train trying to find food and work. Along the way, they befriend a girl played by Dorothy Coonan Wellman. The three become part …
[4] The third-ever Academy Award for ‘Best Picture’ went to this somewhat clunky, melodramatic story spanning three decades in the lives of two British families — one upstairs aristocrats, the other downstairs servants. It may have been one of the most popular films of 1933, but it’s not one to which the passage of time has been particularly kind. Diana Wynyard and Clive Brook play …
[6] Katharine Hepburn plays a daring aviator, her first starring role, in Christopher Strong. You can see a lot of the attitude and behavior that would later define her career in this early talkie. But the film, directed by Dorothy Arzner, is far from a triumph for feminist viewers. Hepburn’s character begins an affair with a married man and ends up paying the ultimate price …
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