1937

[7] Cary Grant and Constance Bennett play a carefree wealthy couple who die in a car wreck after a night of hard partying. When they discover they are ghosts with no purpose, they decide to do a good deed in hopes of getting into heaven. So they try to rescue their stuffy bank manager friend, played by Roland Young, from the stifling lifestyle his wife …

[4] Errol Flynn stars as a surgeon who takes the fall for an older colleague who accidentally loses a patient under the knife. As fate would have it, he then falls in love with the deceased patient’s daughter (Anita Louise), but when she learns he’s the one blamed for her mother’s death, he flees in self-imposed exile. Searching for new meaning to his life, he …

[8] Irene Dunne and Cary Grant star as a couple who file for divorce, then proceed to thwart each other’s attempts to socialize with new partners. Both are too proud to admit they still have feelings for the other until the divorce proceedings have nearly come to a close. Under the direction of Leo McCarey (Make Way for Tomorrow), Dunne and Grant deliver some of …

[7] A young man falsely accused of murder (Derrick De Marney) escapes his hearing and sets out to prove his innocence, dodging the police and falling in love with a blonde young woman (Nova Pilbeam) who helps him against her better judgment. The key to his salvation is finding a stolen raincoat, which kicks off a serendipitous adventure to find a man with an uncontrollably …

[8] Katharine Hepburn leads an ensemble cast including Ginger Rogers and Lucille Ball in this witty but moving comedy/drama about aspiring Broadway actresses living together in a boarding house. Hepburn’s character comes from money and wants to find out whether she has what it takes to become an actor. When she arrives at the boarding house, called The Footlight Club, she meets women both more …

[6] Janet Gaynor and Fredric March star in a love story so good, they’ve made it four times now — most recently with Lady Gaga and Bradley Cooper in the roles. Gaynor plays a small-town girl with dreams of becoming a Hollywood actress. With encouragement from her grandmother, she arrives in Tinseltown bright-eyed and bushy-tailed only to discover what everyone discovers — that opportunity is …

[6] Robert Montgomery is a care-free painter and Rosalind Russell is a socialite looking for a more rustic lifestyle. In the tradition of screwball comedy, the unlikely lovers get married and revel in their poverty. But after Montgomery’s talent catches the notice of a stuffy gallery owner (Monty Woolley), the two start living the high life… until Russell starts feeling a little deja vu. Live, …

[7] The world’s first animated feature film holds up pretty well, even if feminism has rendered its heroine somewhat outdated. Snow White herself is a little annoying, not only because she sits around waiting for her “prince to come”, but also because Adriana Caselotti’s voice is so darned squeaky. But I enjoy the darker aspects of the film, including Snow White’s fear-induced flight through the …

[7] Twins Billy and Bobby Mauch do very well as the title characters in this lavish production of Mark Twain’s oft-told tale of mistaken identity. Claude Rains takes the role of villainy this time, playing an evil Earl who forces the beggar boy to be king for his own selfish gain, while Errol Flynn (at his dashing best) plays the soldier of fortune who helps …

[6] Five ladies of ill repute muster the courage to take the stand against their evil nightclub boss in this Bette Davis vehicle. Davis overacts a tad (doesn’t she always?), but Humphrey Bogart is reliable in the role of the tenacious district attorney. This is an instance where I’d love to have seen some of the off-screen action, but the film works remarkably well under …

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