Mr. Blandings Builds His Dream House (1948)

Mr. Blandings Builds His Dream House (1948)

[6] Cary Grant and Myrna Loy play parents of two young daughters in a cramped New York apartment who decide to find a bigger place for themselves in the wide-open countryside. But their initial purchase turns out to be a…
Yellow Sky (1948)

Yellow Sky (1948)

[6] Gregory Peck stars in William Wellman's (The Ox-Bow Incident, The Story of G.I. Joe) eerie western about a band of thieves that wander into a Death Valley ghost town where a young woman (Anne Baxter) and her grandfather have…
Adventures of Don Juan (1948)

Adventures of Don Juan (1948)

[8] Errol Flynn makes a triumphant return to the genre that made him a star (after Hollywood shelved period action flicks for the duration of WWII). Adventures of Don Juan is splashy, colorful, good-humored, and terrifically entertaining. Despite public knowledge…
State of the Union (1948)

State of the Union (1948)

[6] Spencer Tracy and Katharine Hepburn star in a Frank Capra movie about the political and personal tolls of running for president of the United States. Van Johnson and Margaret Hamilton are fun in supporting roles. Angela Lansbury is nice…
Red River (1948)

Red River (1948)

[7] John Wayne stars in this Howard Hawks western about a tyrannical cattle farmer who invests over a decade of work into the mother of all cattle drives, only to have it threatened when his adopted son -- played by…
The Treasure of the Sierra Madre (1948)

The Treasure of the Sierra Madre (1948)

[9]

Three desperate men scrape together everything they can muster to go prospecting for gold and discover not just riches, but the destructive greed that comes with them. This is one of John Huston’s finest works, a male bonding adventure that doubles as a dark morality tale. Humphrey Bogart is terrific in the leading role, especially when his character begins turning into the monster of the piece. Outside of film noir, you rarely see protagonists like Bogart’s go evil without the film losing favor with the audience. Maybe we still feel a little sympathy for him because we see his dark potential in ourselves?