[6] This faux-documentary about seven men who travel deep into the Pacific Northwest to find Bigfoot was one of the first movies I ever saw. So nostalgia no doubt colors my opinion of it. But re-watching it recently, I can honestly say it’s not without its merits — especially as a product of its time. Unlike the later Blair Witch Project, Sasquatch The Legend of …
[6] Sam Elliott plays an L.A. beach lifeguard who begins to question, at the age of thirty-two, if it might finally be time to put on a shirt and get a ‘real’ job. There’s no question that Sam Elliott has charisma and can carry a movie, and that’s probably the only reason this flick has had any shelf life at all. Lifeguard is decidedly a …
[6] After the world saw its first bona-fide blockbuster, 1975’s Jaws, daring Italian movie mogul Dino De Laurentiis decided he needed to go down in history for producing the second one. He settled on a remake of 1933’s King Kong and hired John Guillerman (The Towering Inferno) to direct. The screenplay is faithful to the original film in its broad strokes: A boat seeks passage …
[7] The Pom Pom Girls stands out from the grindhouse pack for me. The title is actually a misnomer, as there are precious few moments with any cheerleaders. The movie is really about two high-school boys and their girlfriends making love, participating in pranks, and enjoying the last year of their lives together before graduation. The only thing driving a conventional plot is a big …
[8] Jack Weston stars in this gay-themed screwball comedy based on a stage play by Terrence McNally (Love! Valour! Compassion!). Weston plays a frumpy, middle-aged man hiding out in a New York bath house from a brother (Jerry Stiller) who plans to kill him so he won’t inherit the family business. At the bath house, Weston meets a handful of bizarre characters who end up …
[5] With a script by Neil Simon and an incredible all-star cast, I expected more from this spoof of murder mysteries. Most of the ensemble are confined to playing the same note throughout the film, including Peter Sellers as a simile-spewing Charlie Chan and Alec Guinness as the blind butler. The squeaky-clean humor is in dire need of some double-entrendres or naughty subtext. Still, it’s kinda …
[6] Robert Altman uses the circus-like atmosphere of Buffalo Bill’s Wild West Show for a commentary on racism and the whitewashing of American history. It’s actually a pretty light-hearted film built around Buffalo Bill’s contentious relationship with Sitting Bull. Paul Newman is reliably good as the exasperated Bill, pushed to his wits’ end by a stubborn but commercially valuable Indian who quietly challenges his authority …
[7] The skeleton crew of an isolated police precinct battle a vengeful street gang that lay siege to the building. John Carpenter (Halloween, The Thing) writes and directs this simple, straight-forward, solidly executed action/thriller, imbuing it with his love of westerns. Carpenter creates likable characters here, particularly in the stalwart police lieutenant (Austin Stoker) and the wise-cracking prisoner (Darwin Joston), the latter of which is …
[4] Alan J. Pakula (Sophie’s Choice, The Pelican Brief) directs the big-screen story of how Washington Post reporters Bob Woodward and Carl Bernstein cracked the Watergate scandal that lead to President Nixon’s resignation. I love Robert Redford and Dustin Hoffman enough to get through any movie, but this is not a cinematic story. Every other scene is a phone conversation. And the nature of Woodward …
[5] Three charlatan filmmakers try to save a studio from corporate takeover by uniting all of Hollywood’s biggest stars into one big movie — a silent one! And the title of this Mel Brooks yuk fest isn’t an empty boast — Silent Movie is indeed devoid of dialogue, though not without plenty of whacky sound effects and an energetic score by John Morris. At first, …
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