1980 Theatrical Version [7] 2006 Richard Donner Cut [7] Three space criminals clad in shiny black suits come to Earth and force Superman into a confrontation, just as he’s decided to give up his powers for a normal relationship with Lois Lane. Superman II was shot concurrently with Superman: The Movie, both under the direction of Richard Donner (The Omen, Lethal Weapon). But after Donner had …
[4] A bunch of teenaged waiters at a Jewish kids’ summer camp embark in sexcapades and other whacky shenanigans in this Animal House wannabe. Aside from a charismatic turn from young Dennis Quaid, it turns out to be just another summer camp comedy. You know the kind. Someone puts speed in the cafeteria food, smut in the projector on family film night, and farm animals in …
[5] As a boy, Harry saw Mommy screwing Santa Claus, which really messed with his brain. As an adult, Harry is obsessed with Christmas. He works at a toy factory, keeps disturbingly close tabs on all the neighborhood children, and has a tendency to go homicidal when people doubt that he’s the real St. Nick. Christmas Evil isn’t violent enough to be a slasher movie …
[4] I’d never seen Heaven’s Gate until recently. For decades, it has been the title synonymous with “flop” and studio bankruptcy, but it has also been picked back up, reexamined, and declared somewhat of an artistic treasure in recent years. The story centers around a bloody ongoing battle in 1890s Wyoming between rich cattle barons and struggling immigrant settlers. The settlers steal cattle to feed their …
[8] Writer Alan Ormsby and director Tony Bill create a compelling coming-of-age story that avoids two of the greatest pitfalls of the genre: it doesn’t talk down to its subjects and it doesn’t wallow in sentimentality. Chris Makepeace and Adam Baldwin give fine performances as the ‘new kid’ and the ‘mysterious loaner,’ respectively. Their unlikely friendship develops believably and becomes the heart of the movie. …
[4] An American family moves into a British mansion with an old woman (Bette Davis) whose young daughter disappeared over thirty years ago. When the American family’s two daughters begin hearing and seeing things, it quickly becomes obvious that Davis’ daughter is trying to communicate with them through supernatural means. The mystery is so paper thin here, you’ll be ahead of the movie the whole …
[5] Mutant sea creatures attack a coastal community in this schlocky flick from producer Roger Corman. It’s pretty standard, passable, monster movie fare. The requisite boobage and gore were filmed by one director, while another handled the pesky plot and character development. Like many Corman features, this one features early work from emerging talents, including makeup effects by Rob Bottin (Legend, RoboCop) and music by …
[7] Diminutive Herve Villechaize (TV’s Fantasy Island) stars in this gift from cult movie heaven for which no summary could do justice, Forbidden Zone is a prolonged crash of the whacky and perverse. The utterly irreverent storyline tests my patience in a few places, but the inventive animation and catchy soundtrack (featuring Danny Elfman and Oingo Boingo) keep things afloat. Susan Tyrrell is camp-tastic as the …
[7] More of a verite, psychological approach to the slasher genre than most of the ’80s slasher windfall, William Lustig’s Maniac rises above its exploitation roots by putting us inside the killer’s mind and keeping us there, even as his sanity starts to unravel. The killer’s back story may be a little cloying, but Joe Spinell delivers a terrific leading performance, and the dream-like ending seals …
[8] Brian DePalma serves up a twisty Hitchcockian thriller about a female slasher hunting a prostitute who witnessed her last murder. Michael Caine stars as the shrink who tries to help the call girl, who’s played by Nancy Allen (Mrs DePalma at the time). But it’s Angie Dickinson who delivers the film’s most memorable performance as a married woman who nervously initiates a one-night stand. …
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