[7] More of a verite, psychological approach to the slasher genre than most of the ’80s slasher windfall, William Lustig’s Maniac rises above its exploitation roots by putting us inside the killer’s mind and keeping us there, even as his sanity starts to unravel. The killer’s back story may be a little cloying, but Joe Spinell delivers a terrific leading performance, and the dream-like ending seals …
[8] Brian DePalma serves up a twisty Hitchcockian thriller about a female slasher hunting a prostitute who witnessed her last murder. Michael Caine stars as the shrink who tries to help the call girl, who’s played by Nancy Allen (Mrs DePalma at the time). But it’s Angie Dickinson who delivers the film’s most memorable performance as a married woman who nervously initiates a one-night stand. …
[4] George C. Scott stars as a police officer who follows a murder case that gets him embroiled in a mystery involving the Nazis and big oil. The film’s ahead of its time in vilifying the oil companies, represented here by none other than Marlon Brando. Scott’s character hits the nail on the head when he tells Brando: “You’re not in the oil business, you’re …
[4] A priest’s suicide triggers a zombie apocalypse in this loose sequel to Zombie (aka, Zombie 2), both directed by Lucio Fulci. The story here is silly and the movie takes a lot of detours. The dead priest opening the gates of hell is hard to swallow, but then, few people watch low-budget Italian horror movies for great story. Still, the last act isn’t very …
[6] John Travolta and Debra Winger star as impetuous young lovers who meet at a Houston honky-tonk bar, get married, and struggle to keep their relationship together. I enjoyed the first half of the movie more than the second. You believe that the two characters would come together, but in the second half, Travolta’s character’s ugly side really comes out and the movie is downright …
[4] William Hurt makes his big-screen debut in this blend of psychedelia and cockamamy psychology based on a novel by Paddy Chayefsky (Network). Hurt plays a college professor of science who experiments with drugs inside isolation tanks to, oh, I don’t know — I think it was to find God or something. Anyway, the experiments actually end up regressing Hurt’s DNA and he slowly turns …
[7] Al Pacino plays a New York police detective who goes deep under cover, posing as gay to root out a serial killer preying on gay men. Director William Friedkin (The Exorcist, The French Connection) stirred controversy for his depiction of the leather subculture. The gay community feared straight America might see the film and assume all gay men were leather daddies with Tom of …
[6] There’s no denying the pervasive corniness of Randal Kleiser’s adaptation of The Blue Lagoon. Brooke Shields and Christopher Atkins play teenagers who have grown up in isolation on a remote island after being shipwrecked as children. The film half-asses the characters’ sexual awakenings (what the film is all about) and never stops testing your suspension of disbelief. But the film still works as escapist …
[5] Eternal opportunist Roger Corman piggy-backs on the success of Star Wars with this low-budget space adventure about a young man who assembles a rag-tag team of mercenaries to protect his people when another race threatens enslavement. Battle Beyond the Stars is among the more watchable films in Corman’s canon. Most of that is owed to a fast-paced script by John Sayles (Matewan, Passion Fish) …
[10] After deciding directing wasn’t his favorite thing to do, George Lucas enticed his former professor Irvin Kershner (Eyes of Laura Mars, Return of a Man Called Horse) to helm the dark second act of the famous trilogy. The Empire Strikes Back is essentially one long chase movie, as Darth Vader pursues Luke (Mark Hamill), Han (Harrison Ford), Leia (Carrie Fisher) and the rest of …
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