Heartburn (1986)
[4] Meryl Streep stars as a food critic reluctant to remarry. But who can resist the charm of Jack Nicholson? The two marry and squeeze out a kid, and then sure enough, he cheats on her and the infidelity escalates…
Howard the Duck (1986)
[6]
This may be a guilty pleasure, but I also think it inherited an unfair reputation, too. George Lucas wanted to produce a comic film noir. No matter how well it was done, it would never be a huge hit. His name proved cancerous to the movie, unintentionally promising universal appeal for what is really a niche movie. The critics took their best shots and Howard the Duck went down as one of the most famous flops in movie history.
Back to School (1986)
[7]
Rodney Dangerfield stars as a corporate tycoon who enrolls in college to help inspire his son (Christine‘s Keith Gordon) to stay in school. Now, I’m hard on comedies and I honestly don’t like very many of them — but I really enjoyed Back to School. It’s a terrific vehicle for Dangerfield and his direct, throw-away sensibility. When a stand-up comic is featured in a narrative film, the formulaic plot usually ends up constraining the talent and strangling all the fun out of the movie. But Back to School keeps things loose enough for Dangerfield to shine. It even allows him to keep his balls after the obligatory third-act character catharsis. (Learning lessons can be so castrating.)
¡Three Amigos! (1986)
[5] John Landis (Animal House, An American Werewolf in London) directs comedy heavyweights Steve Martin, Chevy Chase, and Martin Short in this goofy flick about three silent film stars who accept a job in Mexico only to realize it's not…
Jocks (1986)
[3] A team of L.A. college tennis players try to pull their shit together to win a championship before the dean pulls the plug on their program. I'm all for a good teen sex comedy, but Jocks is neither funny…
Labyrinth (1986)
[8] After impulsively wishing her baby brother away, a teenaged girl must brave a dangerous labyrinth and rescue the tot from a nefarious Goblin King in Labyrinth, the product of a bizarre but winning combination of creative talents. Director Jim…
Aliens (1986)
[10]
James Cameron accomplishes a rare feat with a sequel that doesn’t shame the original and succeeds on its own merits. Aliens is so different in tone than the original Alien, I think of it as a sequel only in name (this goes for all the Alien movies). In a smart move, Cameron decided not to compete with Ridley Scott in the areas of horror and suspense. Aliens is decidedly a combat movie.
The Mosquito Coast (1986)
[10]
Harrison Ford gives one of his best performances as Allie Fox, an obsessed inventor who moves his family to a Central American jungle to escape what he perceives to be the end of American civilization. Peter Weir (Witness, Dead Poets Society) directs from a screenplay by Paul Schrader (Taxi Driver, Raging Bull), based on the novel by Paul Theroux. We experience the story through the eyes of Fox’s eldest son, Charlie (River Phoenix). Charlie begins the film in awe of his father, but as Allie spirals out of control, putting his family in danger and developing a serious God complex, Charlie begins conspiring with his mother (Helen Mirren) to save the family from their patriarch.
Stand By Me (1986)
[10]
Rob Reiner (This Is Spinal Tap, The Princess Bride) adapts this dark coming-of-age tale from Stephen King, about a band of four boys who embark on a weekend journey to find the body of a missing teenager. Stand By Me is the best film of Reiner’s career, and the best film adaptation of King’s work. It’s a moving, hauntingly nostalgic piece, bolstered with healthy doses of good humor and some of the best adolescent performances ever put to film.
The Fly (1986)
[9] David Cronenberg's remake of The Fly is still the most fowl and disgusting film I have ever seen. It just about makes me barf every time I see it, and I love that. Jeff Goldblum plays an inventor who…