1990

[8] A surprisingly effective blend of romance, comedy, and supernatural horror, Ghost stars Patrick Swayze as a murdered man who works through a flim-flam psychic (Whoopi Goldberg) to save the life of his endangered girlfriend (Demi Moore). Ghost became so popular, I think a lot of us take it for granted today. But in the summer of 1990, full of sequels and overproduced action pics, …

[6] The sequel to Predator drops Arnold Schwarzenegger and transplants the action to Los Angeles. Danny Glover stars as a cop trying to break up warring drug gangs when the Predator drops into the action and leads him on a mysterious hunt for clues. Gary Busey shows up as a secret government military man, and Glover’s got police support from the likes of Maria Conchita …

[5] On one hand, I like that Total Recall reminds me of an old-fashioned sci-fi yarn from the ’50s. On the other hand, it’s not quite cheesy enough for me to fully embrace that way. I don’t like Arnold Schwarzenegger in the lead role. He does the film no favors, and I can imagine dozens of other actors who might have helped the movie find …

[7] Melanie Griffith and Matthew Modine rent out a room of their San Francisco dream home to the tenant from Hell and barely escape to tell the tale. Michael Keaton plays the psycho boarder, a guy who hammers and makes noise all night long, lets cockroaches loose in the building, kidnaps their cat, and eventually encourages physical assault — all in an effort to use …

[8] See review of the Nightbreed theatrical cut here. Clive Barker’s Nightbreed was originally released in 1990, dumped onto a handful of screens by the studio and barely marketed. It was a financial failure, and for the director it was also a creative one. Barker was forced by the studio to compromise his original vision, dropping key plot elements, shooting new scenes and an alternate …

[8] Nightbreed, directed by Clive Barker and based on his book Cabal, wants to be a sprawling horror-fantasy epic for the ages. But the multifaceted story is told so quickly and haphazardly in the studio’s cut of the film, the end result is something between whiplash and total discombobulation. As messy as the end result is, I still really admire the sheer ambition behind the …

[4] Mel Gibson and Robert Downey Jr star in this action-comedy about American pilots who get caught up in a government-sanctioned opium trade in Vietnam War-era Laos. Once the pilots realize they’re about to be framed by one of their commanders to appease a head-hunting politician, they have to find a way to save their reputations and their lives. Air America is kinda heady stuff …

[5] Bird on a Wire is a big, goofy Hollywood action spectacular with two likeable stars at its center. Mel Gibson plays an FBI informant in witness protection and Goldie Hawn plays an old flame he left at the altar when the feds reassigned him a new identity. Now they’re reunited and on the lam from a dirty fed and his hit men. This is …

[7] Gizmo the cute Mogwai is back, and he gets wet again — this time in a New York City skyscraper run by a Donald Trump-like billionaire. Billy Peltzer and Kate Beringer (returning stars Zach Galligan and Phoebe Cates) both work there and re-team with their furry companion just in time to do battle with another army of nasty gremlins. This sequel to the 1984 …

[9] I think the movies we see when we’re impressionable teenagers have the greatest impact on our lives. As a quiet kid who started finding his voice in high school, Pump Up the Volume influenced and inspired me. The movie is about a shy student (Christian Slater) who uses a shortwave radio to hold an anonymous late night program. Before long, the entire school is …

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