[6] Paul Rudd stars as one of Marvel’s new feature film superheroes, a man who can shrink to miniature proportions with the help of a special suit. Michael Douglas shares a huge amount of screen time as the suit’s inventor. Together with his estranged daughter (Evangeline Lilly), they train Rudd’s character how to use the suit and control a variety of different ants to help …
[3] James Marsden, Thomas Jane, and Piper Perabo star in this wannabe animal attack movie that’s really just an overwrought drama about estranged brothers burying the hatchet. The squabbling between the two men (all the men in the movie, actually) gets pretty tedious, and you have to be prepared to get some cheese sprayed on you as well — Perabo’s character is deaf, and she …
[7] Chappie starts out rough, juggling multiple storylines and shifting our character identification many times throughout the first 30 minutes, but once the title character is ‘born,’ the film gets more and more thematically compelling. Chappie is a robot designed to be a police officer (shades of RoboCop permeate in more ways than one), but just as he’s damaged and marked for destruction, his inventor (Slumdog …
[8] Writer/director Paul Weitz (About a Boy, American Pie) creates a compelling star vehicle for Lily Tomlin with Grandma. Tomlin plays an irascible widower, who flits from girlfriend to girlfriend trying to fill the void left by her one true love that passed away years earlier. One day, her granddaughter comes to her for help. She’s pregnant and wants to have an abortion, but needs …
[5] Pixar usually moves me with some genuine human emotion, but Inside Out is a little more sentimental and pandering than many of their other films. The big cry moment is a cheap, low blow, is what I mean to say. And I hold a special kind of grudge against movies that make me cry by hitting below the belt (I’m talking to you, Forrest …
[6] This documentary centers around the lasting influence of a week-long interview Francois Truffaut conducted with Alfred Hitchcock in 1962, and the book that encounter produced, 1966’s Cinema According to Hitchcock. Sprinkled throughout the run-time are snippets from interviews conducted with some of today’s top filmmakers about their affection for both the book and the work of Hitchcock, including Martin Scorsese, Wes Anderson, David Fincher, …
[8] Cate Blanchett headlines as the title character in this Todd Haynes (Safe, Far from Heaven) adaptation of a Patricia Highsmith novel. She’s perfect in the role, functioning as the beguiling older woman who catches the curious fancy of a younger woman, played by Rooney Mara. Their cautious, burgeoning relationship is the focus of the film, one under distressing scrutiny from boyfriend and husband characters …
[6] Jupiter Ascending is probably the last big-budget studio picture from Andy & Lana Wachowski, the creators of The Matrix trilogy and some other movies that failed to live up to expectation. I admire the Wachowski’s ambition and I appreciate how they always try to push the envelope with content and execution. It’s not always a success, unfortunately. Jupiter Ascending is a huge, epic story …
[6] Director John Madden (Shakespeare in Love) takes us once more to the Marigold well, reuniting all the original cast members and throwing Richard Gere into the mix. Gere plays a mysterious American who may or may not be a financial inspector whose opinion could make or break the Marigold’s franchising to a second location. Judi Dench’s character is offered a new career, all while …
[8] Hot off his Best Director Oscar for Birdman, Alejandro González Iñárritu delivers another astonishing directorial effort. The Revenant is shot entirely outdoors with available lighting, capturing the story of an 1820s fur trader (Leonardo DiCaprio) who is viciously mauled by a bear and left for dead by a traitorous fellow trader (Tom Hardy). DiCaprio and Hardy are both equally up to the task here, …
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