Conan the Destroyer (1984)

Conan the Destroyer (1984)

[6] Arnold Schwarzenegger returns in his only Conan sequel, a less serious and more family-friendly adventure to help a princess (Olivia d'Abo) find a legendary horn for her aunt, Queen Taramis (Superman II's Sarah Douglas), who promises Conan she'll bring…
Conan the Barbarian (1982)

Conan the Barbarian (1982)

[7] Director John Milius (Big Wednesday, Red Dawn) brings Robert E. Howard's Conan the Barbarian to the big screen with Austrian bodybuilder Arnold Schwarzenegger in the title role. The film is an origin story, opening with young Conan witnessing the…
Flesh + Blood (1985)

Flesh + Blood (1985)

[6] Rutger Hauer and Jennifer Jason Leigh star in medieval tale of a young noble girl (Leigh) who is kidnapped by a band of traveling mercenaries. While her betrothed (Tom Burlinson) searches for her with a rescue team, she begins…
Cherry 2000 (1987)

Cherry 2000 (1987)

[7] Cherry 2000 is good corny fun. It takes place in a somewhat post-apocalyptic 2017 (almost there!) where gender dynamics and sex politics have gotten so complicated, that many men prefer to bond with robots rather than flesh-and-blood women. That's…
The Blue Lagoon (1980)

The Blue Lagoon (1980)

[6] There's no denying the pervasive corniness of Randal Kleiser's adaptation of The Blue Lagoon. Brooke Shields and Christopher Atkins play teenagers who have grown up in isolation on a remote island after being shipwrecked as children. The film half-asses…
Starship Troopers (1997)

Starship Troopers (1997)

[8]

Director Paul Verhoeven (RoboCop, Basic Instinct) continues his knack for combining violence, gore, dark humor and social commentary in this loose adaptation of Robert A. Heinlein’s serialized novel about humankind’s future war against a race of insect-like aliens. I can almost enjoy the movie for the action alone. It escalates beautifully, with plenty of exciting sequences and spectacular visual effects. But it’s the satirical edge that helps distinguish Starship Troopers. The whole movie is designed as a recruitment film for a fascist society. When our ‘heroes’ win in the end, the movie has its tongue firmly in cheek, dressing them as full-blown Nazis while Leni Riefenstahl-like propaganda leads us into the closing credits.

RoboCop (1987)

RoboCop (1987)

[10] In the not-so-distant future, a Detroit policeman is murdered by a vicious cop-killer, only to be resurrected as the ultimate cyborg law enforcer. But will RoboCop have free will, or will he be slave to the corporation that facilitated…