[7] In this film based on a true story, Brad Pitt stars as Oakland A’s general manager Billy Beane, who introduced computer analysis of player statistics into recruitment strategy and forever changed the way baseball is played. Jonah Hill plays the shy, young economist who pitches the recruitment strategy to Beane. Both men were nominated for Oscars for their performances here. The film centers squarely …
[6] Just as Robert Zemeckis had to make Forrest Gump and Tim Burton had to make Big Fish, so did David Fincher have to make The Curious Case of Benjamin Button. All three directors are known for their visual and/or technical prowess, and all three felt the need to wring a tear-jerker out of their filmographies, maybe just to prove they could? Benjamin Button is …
[6] Michael Fassbender stars as a lawyer who reaps the whirlwind when he tangles with drug lords in this Ridley Scott film penned by author Cormac McCarthy. McCarthy’s screenplay will test the patience of many. It contains an abundance of two-person dialogue scenes — one after the other for the entire first half of the film. All the action, tension, and dramatic high points are …
[6] Brad Pitt reunites with writer/director Andrew Dominik (The Assassination of Jesse James by the Coward Robert Ford), playing a hit man called in by the local crime lords after two young kids take down a big card game that collapses the underground economy. The parallels to the US economy are blatant, complete with recurring clips of Barack Obama and George W. Bush talking about …
[7] Brad Pitt admirably carries this big-budget zombie apocalypse flick that has more in common with Outbreak or Contagion than it does your standard zombie fare — don’t expect blood and gore, horror fans. Director Marc Forster (Monster’s Ball, Stranger Than Fiction) succeeds in ratcheting up the tension with a script (based very loosely on Max Brooks’ book) that is essentially one dramatic escape sequence …
[10] A profound, yes profound, pitch black satire that has become an anthem for a “generation of men raised by women”. From a gender studies perspective, Fight Club speaks to the fragility of masculine identity and the disturbing lengths to which misguided youth will go to feel like they belong, to have identity, to be men. Fight Club is famously reviled for its graphic depiction …
[9] Director David Fincher rebounded from Alien 3 with this seemingly innocuous serial killer flick penned by Andrew Kevin Walker. We’d seen buddy cop flicks and killers with gitchy modus operandis before, but characterization and style put Se7en over the edge. It’s a deeply creepy and unsettling movie centering around a seasoned detective (Morgan Freeman) and a rookie (Brad Pitt) who are paired in pursuit …
[9] The story covers a lot of ground and time, but its the characters that I find most intriguing in Neil Jordan’s adaptation of Anne Rice’s novel. Lestat, Luis, and young Claudia are vampires, but take away their fangs and coffins, and you have a surrogate family steeped in homoerotic and incestuous desire. The movie is best when the family is together, a little less …
[9] This is a fucking cool-ass movie. The screenplay by Quentin Tarantino is an exciting blend of violence, sweetness, and dark humor. Director Tony Scott (Top Gun, Crimson Tide) brings it to life with his usual polished style, and attracts a large ensemble of A-list performers. Christian Slater and Patricia Arquette play Clarence and Alabama Whorley, a comic book geek and a call girl who …
[10] “You get what you settle for.” It’s a potent little theme that asks all of us to take stock of our lives. It probably helps that I saw Thelma & Louise at a time when, like the title characters, I was searching for escape and freedom, determined to become my own person and follow what I knew with all my heart was my calling …
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