Cary Grant stars in this post-war feel-good flick about three beleaguered naval officers whose precious 4-day shore leave is threatened at every turn. At first, it’s disappointing to see Grant slumming it in a party movie, but then there’s a little anti-war sentiment that threatens to elevate the material… before ultimately sinking it. Kiss Them For Me is ultimately an overbearing message movie, with Grant’s character repeatedly explaining to lay people and press alike that war isn’t glorious. Maybe the film served an important function counterbalancing war propaganda from the ’40s, but taken on its own, the message gets tedious very quickly. The line should have been drawn after Grant’s first dramatic outburst (a fine moment for him and the movie), and well before a wounded soldier is wheeled out for exhibition, full of hope and oblivious to his terminal diagnosis.
Cary Grant already has three children and little time alone with his wife (Betsy Drake), but that doesn’t stop her from bringing home a few troubled foster children. Room for One More is a sweet comedy with just enough dramatic heft. Grant (at his droll, beleaguered best) and Drake have some great exchanges, especially after one of their boys inquires where babies come from. Grant draws the figure of a woman in the sand and explains. Drake then comes along and asks what the drawing is.
Directed by George Stevens and inspired by Rudyard Kipling’s poem, Gunga Din is the story of three indomitable British soldiers who find themselves at the center of a battle against the bloodthirsty Thuggee cult. Captured and enslaved with an aspiring water boy (the title character), the men endanger their lives to thwart an ambush of the British army coming to rescue them. Gunga Din is a rousing adventure that exalts camaraderie among men. The stalwarts are played by Cary Grant, Douglas Fairbanks Jr., and Oscar-winner Victor McLaglen (The Informer, The Quiet Man). The men spend half their time quarreling and the other half working against a common enemy — but it’s a three-way bromance, to be sure. Grant and McLaglen even spend half the movie trying to trick Fairbanks, whose character is leaving the army to get married, back into service. Joan Fontaine has the thankless role of Fairbanks’ betrothed, the Yoko threatening to break up the band.
