[6] Drew Barrymore makes her directorial debut with what is basically a high school sports movie. It reminded me of those ’80s flicks where the young guy (be it Cruise, Bacon, Lowe, or Modine) commited himself to a sport his parents frowned upon, and then ended up winning their respect by winning the game. Well, just change the ‘him’ to a ‘her’ and make the …
[8] A 14-year-old goes home with a guy in his 30s. What follows is a nightmarish power struggle. Hard Candy is an intense character-driven thriller that succeeds primarily for the incredible performances of Patrick Wilson (Watchmen) and Ellen Page (Juno). The screenplay dives into murky moral waters, asking us to empathize with a young girl who inflicts torture and a grown man who may or …
[8] X-Men: Days of Future Past brings back most of the cast from the Bryan Singer films (X-Men and X2) and merges them with the cast of Matthew Vaughn’s First Class for a storyline involving time-travel and the mutants’ desperate attempt to correct an error in 1973 that would, fifty years later, lead to annihilation for both mutants and humans alike. Simon Kinberg’s screenplay puts …
[6] This is certainly the most action-packed of the X-Men movies, but it’s also the most disrespectful and emotionally hollow. There are some great set pieces, including the free-for-all at Jean Grey’s childhood home, the Golden Gate bridge raising, and the visually stunning climax at Alcatraz, where Dark Phoenix (Famke Janssen) unleashes an effects-filled can of whoop-ass upon the world. There’s potential in that sequence …
[8] Dreams are a notoriously difficult thing on which to base a movie. In dreams there are no rules, no parameters — and in movies about dreams, writers and filmmakers are often all too eager to take advantage of our suspension of disbelief — because in dreams, hey? Who the hell’s to say what could or could not happen, especially if the contrivance pushes the …