[6] Hot off her Oscar win for Network, Faye Dunaway headlines this thriller about a controversial photographer whose focus on sex and violence makes her a sensation in New York’s advertising world. Dunaway’s title character begins having visions of murder — from the killer’s direct point-of-view. One by one, models and associates in her career begin dying, stabbed in the eyes by the mysterious killer. …
[7] Mommie Dearest is something else. I can’t tell if it’s trying to be an earnest expose on the turbulent home life of legendary star Joan Crawford and her adopted daughter, Christina, or if the dark comedy and camp value were intentional. The film is based on Christina’s tell-all book, so we really only get the nastiest parts of the story — how Joan locked her daughter …
[8] Steve McQueen plays a millionaire who robs a bank just for shits and giggles, and Faye Dunaway plays the insurance investigator who will either turn him in… or fall in love with him. Director Norman Jewison embraces the French New Wave to give the film a unique tone that favors style slightly higher than substance, and I’m okay with that. The result is a …
[6] A CIA researcher tries to avoid multiple assassins until he learns who he can trust in this well-made suspense thriller that prophesied the current oil crisis and the wars therein. Robert Redford carries the movie superbly as always, and Max Von Sydow is good as a cold-hearted hitman. Faye Dunaway’s talent is a bit wasted, dealt a poorly-written character who sleeps with Redford right …
[6] Supergirl is good cheese, one of those ‘so bad it’s good’ kind of movies. You’ve got Faye Dunaway vamping out as a frustrated witch living in an abandoned amusement park, smokey voiced Brenda Vaccaro as her wise-cracking sidekick, a total waste of Peter O’Toole, and a whole bunch of monstrous threats hindered by budget constraints. Take for example Supergirl’s exciting battle with… a tractor. …
[7] Steve McQueen and Paul Newman help rescue people trapped in a flaming highrise in Irwin Allen’s disaster opus, The Towering Inferno. It is what it is — we all at one time or another want to watch disaster unfold and this movie gives it to you. The script cuts to the action fairly quickly, and builds upon it nicely. Many people say the flames …
[10] A suicidal TV news anchorman strikes a nerve with the public, prompting his network to bastardize their news hour with his crackpot proselytizing. Before long, the network embraces pure tabloid sensationalism — live assassinations and all. Network is now famous for being ahead of its time, foretelling the Jerry Springer and Honey Boo Boo phenomenons decades in advance. But there’s more to it than …
[9] Chinatown is the name of the movie, but only a short final scene takes place there. One could argue the film is a journey to its namesake, but even that’s not enough to explain the title. In a rare intimate scene in the film, Jack Nicholson tells Faye Dunaway about his time as a cop working in Chinatown. He tried to help a woman, …
[9] Warren Beatty and Faye Dunaway star as the legendary real-life bank robbers in Arthur Penn’s volatile Bonnie and Clyde. With its anti-hero point of view and graphic violence, this film helped lead the charge for grittier, more realistic fare that cropped up throughout the ’70s. While the film certainly sensationalizes the criminals, it also humanizes them. It’s easy to see how a bored waitress …
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