[3] Hello, it’s the 1990s. We want our big, stupid action movie back. I really, really disliked this movie. It’s so devoid of emotion and tediously boring, I thought about leaving before it was over. It’s like Con-Air for the 2010s or something. So maybe if you liked that big stupid Con-Air movie, you’ll also like this big stupid King Kong movie. But I guess I …
[8] Martin Scorsese unleashes this epic tale of 1860s New York City street battles, with Leonardo DiCaprio starring as a young man with a vendetta against the near legendary Bill the Butcher (Daniel Day-Lewis). See, DiCaprio’s character saw Day-Lewis’s character kill his father in the big opening battle scene, and then DiCaprio’s character goes away for a while. Once he’s of age, he comes back …
[8] James Gunn (Slither) co-writes and directs one of the best Marvel movies ever. The plot is simple, nothing new or groundbreaking. Good guys gotta stop bad guys from literally destroying the world. Been there, done that, right? And like most Marvel movies, the bad guys are pretty generic and forgettable. And there are, like, what? Three or four bad guys here? Anyway, it doesn’t …
[7] Michael J. Fox stars in this Vietnam War flick from Brian DePalma, but combat isn’t the focus here. Fox plays a soldier who puts his life on the line when he tries to free a young Vietnamese woman that his patrol has kidnapped and raped. Even after the woman’s suffering is over, Fox’s character still has to keep a watchful eye for ‘freak accidents’ …
[9] Martin Scorsese directs Leonardo DiCaprio in this biopic of Howard Hughes, the billionaire aviator, filmmaker, and playboy whose considerable ambition was tragically counterbalanced by his mental illness. The Aviator opens with Hughes’ mammoth, three-year-long production of the aerial battle movie Hell’s Angels and his budding romance with Katharine Hepburn (Cate Blanchett). He makes considerable advances in the field of aviation and challenges the movie …
[9] The Hours is a fascinating exploration of three women living in different times and different places, each of them struggling to find their personal bliss against the pressures and expectations of marriage and motherhood. The film is a meditation on death and sacrifice — obviously not the kind we associate with men on the battlefield, but the quiet, stifling kind suffered by people, traditionally …
[9] Writer/director Paul Thomas Anderson follows Boogie Nights with another sprawling emotional epic full of spectacular acting and rich directorial style. The screenplay is an exercise in whimsical allegory, connecting the lives of nine different characters in a sometimes obtuse retelling of the Exodus story, complete with an audacious, climactic rain of frogs. The many characters and subplots are held together remarkably well through Anderson’s …
[9] Writer/director Paul Thomas Anderson’s ode to the ’70s porn industry brings poignant depth to its sensational subject matter. It’s also an amazing showcase of top-notch acting and directing. Anderson is a rare creative talent, as skilled with actors as with the camera, a compelling combination of Steven Spielberg and Robert Altman. The formidable cast includes Julianne Moore, Burt Reynolds, Don Cheadle, John C. Reilly, …
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