[6] Philip Kaufman (Invasion of the Body Snatchers, The Right Stuff, Quills) directs this adaptation of Anais Nin’s autobiography, about her sexual escapades with Henry Miller and his wife June in 1930s Paris. Movies that turn sex into some sort of transcendental experience leave me cold and bored. If I appreciated the approach more, Henry & June is a fine film with good performances from …
[6] On one hand, The D Train is a conventional buddy comedy of sorts, about a loser who tries to redeem himself by convincing a popular former classmate to come to their twenty-year high school reunion. On the other hand, the movie is a bold exploration into material you just don’t see that often. The film stars Jack Black as the loser who becomes obsessed …
[6] After the success of Midnight Cowboy, John Schlesinger returned to personal storytelling in Britain with Sunday Bloody Sunday, a slice-of-life movie about a middle-aged doctor (Peter Finch) and a divorcee (Glenda Jackson) who knowingly share a bohemian lover (Murray Head). Reportedly largely autobiographical, the film is a study of three different characters’ feelings toward sex and love, and there’s no didactic message here, except …
[8] This British independent flick is a far better gay ‘coming out’ movie than most. Glen Berry plays Jamie, a teenager who skips school to avoid harassment during gym class, and Scott Neal plays Ste, Jamie’s next door neighbor. When Ste’s father and brother get particularly abusive, he asks to stay over night with Jamie — and you can probably guess what happens from there. …
[7] Al Pacino plays a New York police detective who goes deep under cover, posing as gay to root out a serial killer preying on gay men. Director William Friedkin (The Exorcist, The French Connection) stirred controversy for his depiction of the leather subculture. The gay community feared straight America might see the film and assume all gay men were leather daddies with Tom of …
[7] A police cadet (Hanno Koffler) nervously begins an affair with a fellow officer-in-training (Max Riemelt), throwing his marriage into disarray and inviting scorn from both his family and the police force. Gay dramas tend to be didactic and end in tragedy, and while this offering from Germany doesn’t fully avoid those pitfalls, it turns out to be better than most others of its kind. …
[8] At an idyllic lakeshore cruising spot for gay men, Franck (Pierre Deladonchamps) hopes to find a romantic partner. After searching for days at the clothing-optional oasis, he befriends a frumpy loner named Henri (Patrick d’Assumçao). The two strike up a platonic relationship and engage in deeper conversations than what’s normally had at a hook-up. But then a rugged-looking swimmer named Michel (Christophe Paou) catches …
[6] An HIV-positive man kidnaps a former fling and forcibly tests him for the virus, ready to exact revenge if the test results are positive. Scott Speedman (Felicity, Underworld) plays the aggressor and James Marsden (X-Men, Enchanted) plays the victim. The film is directed by Tony Piccirillo, who also wrote the stage play on which it is based. The main problem with the film is …
[9] The Hours is a fascinating exploration of three women living in different times and different places, each of them struggling to find their personal bliss against the pressures and expectations of marriage and motherhood. The film is a meditation on death and sacrifice — obviously not the kind we associate with men on the battlefield, but the quiet, stifling kind suffered by people, traditionally …
[10] Anthony Minghella (The English Patient) adapts the Patricia Highsmith novel for the big screen, casts it perfectly, and delivers a superb character study and psychological thriller. Matt Damon anchors the film in the best performance of his career, playing the insecure but devious Tom Ripley, a lower-class New Yorker who serendipitously finds himself in Italy to locate a tycoon’s son and encourage him to return …
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