[7] This vampire flick from the Spierig brothers (Undead) is good old-fashioned B-movie fun. The concept of a world full of vampires on the brink of a blood shortage is interesting, even if the plot goes silly at times. I liked Ethan Hawke as the vampire in charge of finding a blood substitute (just when I was pretty sure I’d never like Ethan Hawke again). …
[6] Shane Acker’s computer-animated post-apocalyptic fantasy is visually interesting, but the characters are bland and the story is wobbly. The movie is a tonal quagmire, trying to balance its dark and dreary subject matter with a kid-friendly PG-13 rating. The plot starts off unimpressively, presenting the aftermath of a future conflict between humans and machines, and surprise, surprise — we lost. The more interesting concept …
[7] Viggo Mortensen travels with his young son (Kodi Smit-McPhee) across a post-apocalyptic wasteland in this bleak drama based on the novel by Cormac McCarthy. The premise is intriguing, far more than the movie dares explore, even with an R-rating. The storyline hangs on the intimate relationship between father and son. Viggo is frighteningly open with the boy, explaining how they’re going to have to …
[8] Matt Reeves (Cloverfield, Let Me In) directs his second installment of the prequel trilogy to the famous sci-fi franchise. War isn’t as epic and enthralling as the spectacular Dawn of the Planet of the Apes, but it’s still a damn fine conclusion to the story of Caesar (Andy Serkis). It’s also kinda neat to see how it dovetails into the original film series. The plot is stripped …
[7] Mel Gibson returns as the iconic Mad Max, joined by Tina Turner in a fun, villainous role. But the third film in the series is also the weakest, first signaled by the PG-13 rating, a ridiculous attempt to make a hard-edged action franchise more family-friendly. The script splits the story into two distinct parts that then converge on each other in the third act. …
[7] Cherry 2000 is good corny fun. It takes place in a somewhat post-apocalyptic 2017 (almost there!) where gender dynamics and sex politics have gotten so complicated, that many men prefer to bond with robots rather than flesh-and-blood women. That’s the part of the movie that genuinely fascinates me — but these ideas are dealt with pretty early on, with the rest of the film …
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