The Lovely Bones (2009)

The Lovely Bones (2009)

[3] Maybe Alice Sebold's novel is a different and more worthwhile experience. But not having read it, I'm pondering what the hell I'm supposed to take away from Peter Jackson's film adaptation of The Lovely Bones. The movie is about…
The Favourite (2018)

The Favourite (2018)

[7] Yorgos Lanthimos (The Lobster, Killing of a Sacred Deer) brings his off-kilter humor to this dark period-piece comedy about a poor but clever scullery maid (Emma Stone) who ingratiates herself to England's ailing Queen Anne (Olivia Colman) with intentions…
The Fountain (2006)

The Fountain (2006)

[6] So, fifteen minutes into The Fountain, you get a bald man sitting in a snow globe talking to a tree while drifting through space. At that point, you either go with writer/director Darren Aronofsky (Pi, Requiem for a Dream),…
The Constant Gardener (2005)

The Constant Gardener (2005)

[6] A British diplomat in Kenya tries to solve the mystery of his activist wife's murder, only to get in over his head with the culprits -- a pharmaceutical company that is intentionally poisoning and killing people. The first third…
About a Boy (2002)

About a Boy (2002)

[7]

An aimless playboy and a dorky middle-schooler become friends through serendipity in About a Boy, based on the book by Nick Hornby and directed by Chris and Paul Weitz of American Pie fame. Hugh Grant plays the playboy, coasting on royalties from a famous song his father wrote. Nicholas Hoult, who would later grow up to later star in X-Men: First Class and Warm Bodies, plays the kid. I have a soft spot for surrogate father/son relationships in movies (and I don’t think I’m alone), but Grant and Hoult do a commendable job playing the parts believably and steering clear of cheese. The film manages to incorporate some real drama into the mix, especially regarding Hoult’s suicidal mother (Toni Collette), without getting too weighed down.

Oz the Great and Powerful (2013)

Oz the Great and Powerful (2013)

[5]

It takes a while for Sam Raimi’s Wizard of Oz prequel to pull its shit together and make you care a little about what’s happening, but the final act’s (digital) pyrotechnics and displays of combative sorcery help pull the movie just barely into the safe zone. The casting leaves something to be desired. James Franco, whom I normally like, is surprisingly bland in a role where he desperately needs to carry the film. He gets better as the film goes, finally reaching his stride as Oz the Great and Powerful makes his thundering debut to the citizens of the Emerald City.