[4] Writer/director Matt Reeves (Cloverfield, Dawn of the Planet of the Apes) takes a stab at cinema’s most over-exposed superhero, casting Twilight‘s Robert Pattinson in the title role. Pattinson, totally fuckable in the cowl, plays detective with Commissioner Gordon (Jeffrey Wright) to determine the identity of a serial killer named ‘The Riddler’ (Paul Dano) who is offing political figures in an attempt to get Batman’s …
[7] Seemingly unrelated stories and dubious characters end up converging around one man, Arvin Russell (Spider-Man‘s Tom Holland), an orphan struggling to find his moral compass in 1960s rural West Virginia. Arvin is haunted by the memory of his father (It‘s Bill Skarsgård), a man who’d make blood sacrifices at his own makeshift altar in the woods when praying for God’s divine intervention. Other storylines …
[8] Movies like The Lighthouse sure don’t hit the multiplex very often. Hot off his astounding debut feature, The Witch, writer/director Robert Eggers’ sophomore effort is a horrifically surreal pitch-black comedy about two men going mad in a remote lighthouse in the 1890s. Robert Pattinson, distancing himself from Twilight fame with increasingly remarkable performances, plays the younger of the two sea dogs. His character is …
[5] You know this story by now, even if you haven’t seen the movie: Girl meets vampire, girl wants to screw the vampire, but vampire is too good for that shit. I don’t generally like a story where one character pines obsessively over another (which is why I don’t like most John Cusack movies), so when two characters start pining obsessively, I’m bound to be …
[8] Just when I thought good old fashioned escapist adventure storytelling was dead, along comes The Lost City of Z. This movie renewed my faith in movies. I was beginning to think I’d seen the end of grand, romantic films like those directed by Peter Weir or David Lean, but James Gray (The Yards, We Own the Night) picks up the mantle and delivers a film …
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