Scott’s Favorites (Rated 9-10)
[9] Stanley Kubrick takes on Stephen King, and while it may not be the most faithful adaptation, The Shining is a gorgeously crafted plunge into fear and insanity. Jack Nicholson and Shelly Duvall play a husband and wife who take their young son with them to the remote Overlook Hotel, where they’ll be all alone for several months working as caretakers during the winter down …
[10] Ridley Scott’s sci-fi/horror opus Alien is really a haunted house movie set in outer space, where a ragtag team of “space truckers” do battle with one of the most fascinating monsters in movie history. Scott is one of the finest directors of our time, and this may be his best film — a taut thriller, designed and executed with tremendous attention to realism and …
[9] Jim Henson’s Muppets make the leap from television to the silver screen in this comedy-musical road trip across America that shows us how the foam and felt vaudeville troupe found each other and entered show business. We meet Kermit playing banjo in a swamp, inspired by a passing agent to go to Hollywood. Driven by the desire to entertain and make people happy, Kermit …
[9] This was the first blockbuster superhero movie (for better and for worse) and I doubt there will ever be a better film adaptation for the Man of Steel. Under Richard Donner’s (The Omen, Lethal Weapon) direction and good taste, Superman is a winning blend of action, drama, charm, and yes, camp. The first forty minutes are emotionally powerful, more than any other comic book …
[9] Ten years after Night of the Living Dead, which pretty much invented zombies as we now know them, George Romero went back to the well and made a sequel that I like even better. Never content to make a zombie movie that is just a zombie movie, Romero infuses Dawn with a statement on the soul-numbing effects of crash commercialism. It’s excellent fodder for …
[10] Star Wars needs another review like a wookiee needs Rogaine, but let’s reflect anyway, lest we start to forget its cultural importance and overall awesomeness. After film reached (still) unparalleled popularity in the late ’30s and ’40s, television came along and the film industry instantly began to shrivel. The dry spell lasted until the mid-70s (perfect timing, mom and dad), when the ‘film school …
[9] Brian DePalma directs this Stephen King tale of a ridiculed girl who discovers she has telekinetic powers she can use against her tormenters. King’s forte is character, and he’s got two rich ones with timid Carrie and her whackadoodle mama. Sissy Spacek and Piper Laurie knock it out of the park in two Oscar-nominated performances. Their scenes together are magic — especially when Laurie …
[9] Sylvester Stallone wrote and stars in this low-budget box office triumph that went on to win the Best Picture Academy Award. Rocky is a remarkable blend of fantastic performances, understated screenwriting, and straightforward execution. It’s very hard not to get swept up in the characters’ hopes and dreams. There are a couple of incredible scenes that really seal the deal for me. One is …
[10] A suicidal TV news anchorman strikes a nerve with the public, prompting his network to bastardize their news hour with his crackpot proselytizing. Before long, the network embraces pure tabloid sensationalism — live assassinations and all. Network is now famous for being ahead of its time, foretelling the Jerry Springer and Honey Boo Boo phenomenons decades in advance. But there’s more to it than …
[10] Steven Spielberg’s adaptation of Peter Benchley’s shark thriller is extraordinarily well made and far more sophisticated than your average monster movie. The first half is a solid scare-fest that unwinds beautifully, from the first vicious attack on a late night bathing beauty to the sensational tragedy during the town’s Fourth of July festivities. Once the people of Amnity Island have had enough the movie …
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