[9] This was the first blockbuster superhero movie (for better and for worse) and I doubt there will ever be a better film adaptation for the Man of Steel. Under Richard Donner’s (The Omen, Lethal Weapon) direction and good taste, Superman is a winning blend of action, drama, charm, and yes, camp. The first forty minutes are emotionally powerful, more than any other comic book …
[9] Ten years after Night of the Living Dead, which pretty much invented zombies as we now know them, George Romero went back to the well and made a sequel that I like even better. Never content to make a zombie movie that is just a zombie movie, Romero infuses Dawn with a statement on the soul-numbing effects of crash commercialism. It’s excellent fodder for …
[10] Star Wars needs another review like a wookiee needs Rogaine, but let’s reflect anyway, lest we start to forget its cultural importance and overall awesomeness. After film reached (still) unparalleled popularity in the late ’30s and ’40s, television came along and the film industry instantly began to shrivel. The dry spell lasted until the mid-70s (perfect timing, mom and dad), when the ‘film school …
[9] Brian DePalma directs this Stephen King tale of a ridiculed girl who discovers she has telekinetic powers she can use against her tormenters. King’s forte is character, and he’s got two rich ones with timid Carrie and her whackadoodle mama. Sissy Spacek and Piper Laurie knock it out of the park in two Oscar-nominated performances. Their scenes together are magic — especially when Laurie …
[9] Sylvester Stallone wrote and stars in this low-budget box office triumph that went on to win the Best Picture Academy Award. Rocky is a remarkable blend of fantastic performances, understated screenwriting, and straightforward execution. It’s very hard not to get swept up in the characters’ hopes and dreams. There are a couple of incredible scenes that really seal the deal for me. One is …
[10] A suicidal TV news anchorman strikes a nerve with the public, prompting his network to bastardize their news hour with his crackpot proselytizing. Before long, the network embraces pure tabloid sensationalism — live assassinations and all. Network is now famous for being ahead of its time, foretelling the Jerry Springer and Honey Boo Boo phenomenons decades in advance. But there’s more to it than …
[10] Steven Spielberg’s adaptation of Peter Benchley’s shark thriller is extraordinarily well made and far more sophisticated than your average monster movie. The first half is a solid scare-fest that unwinds beautifully, from the first vicious attack on a late night bathing beauty to the sensational tragedy during the town’s Fourth of July festivities. Once the people of Amnity Island have had enough the movie …
[10] Oh, Texas Chain Saw Massacre, how do I love thee? Let me count the ways… I love that you’re an unrelenting free fall into madness. I love that your first half is mysterious and suspenseful, and that your second half is hysterically macabre. I love how your 16mm film stock lends a raw, documentary feel to the horror. I love your locations — from …
[9] Chinatown is the name of the movie, but only a short final scene takes place there. One could argue the film is a journey to its namesake, but even that’s not enough to explain the title. In a rare intimate scene in the film, Jack Nicholson tells Faye Dunaway about his time as a cop working in Chinatown. He tried to help a woman, …
[9] Edward Woodward (TV’s The Equalizer) stars as a Christian police officer investigating the disappearance of a child on a remote island in the Scottish isles. Attempts to solve the case are complicated by the locals, all pagan practitioners who deny the child ever existed. The Wicker Man is a British cult classic that never had much of an original theatrical release, but has since …
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