[9] Donnie Darko stands alone: an edgy, sophisticated science-fiction movie that mixes time travel and nightmarish visions with family drama and ’80s nostalgia. The tangled narrative revolves around the emotionally disturbed Donnie (Jake Gyllenhaal), a teenager who strikes up a relationship with a hallucination — a man in a horrid rabbit costume (James Duvall). The rabbit tells him what to do and Donnie does it …
[10] Michael Douglas gives a career highlight performance as a fifty-year-old college professor worried about following up a sensational debut novel in this warm, character-driven comedy from Curtis Hanson (L.A. Confidential, 8 Mile) and author Michael Chabon. I was quickly hooked on each of the movie’s ensemble of anxious, quirky characters, all grappling with their own life-changing dilemmas. Tobey Maguire is excellent as the sullen …
[9] Who said period pieces have to be stuffy? Director Oliver Parker equips a talented and charming ensemble cast with the eviscerating words of Oscar Wilde. Rupert Everett owns the role Arthur Goring, a self-centered playboy who runs from responsibility and commitment, but who still manages to be a loyal friend. Julianne Moore is delightful as the nefarious Mrs. Cheveley, whose blackmailing threatens to upset …
[10] A profound, yes profound, pitch black satire that has become an anthem for a “generation of men raised by women”. From a gender studies perspective, Fight Club speaks to the fragility of masculine identity and the disturbing lengths to which misguided youth will go to feel like they belong, to have identity, to be men. Fight Club is famously reviled for its graphic depiction …
[10] The story of Titus Andronicus is a fascinating dissertation on human violence, and in the hands of visionary director Julie Taymor (Frida, Across the Universe), it becomes an orgasm of cinematic delight. It opens in the aftermath of war, as Titus (Anthony Hopkins) returns victorious to Rome, having just defeated the Goths and captured their queen, Tamora (Jessica Lange), and her sons. Fulfilling his …
[9] Writer/director Paul Thomas Anderson follows Boogie Nights with another sprawling emotional epic full of spectacular acting and rich directorial style. The screenplay is an exercise in whimsical allegory, connecting the lives of nine different characters in a sometimes obtuse retelling of the Exodus story, complete with an audacious, climactic rain of frogs. The many characters and subplots are held together remarkably well through Anderson’s …
[9] “What if a gun had a soul?” That’s how director Brad Bird pitched The Iron Giant to Warner Bros. Animation. The gun in question is The Iron Giant himself, a robot of unknown origin that crash lands on Earth in 1957, at the height of the atomic scare. He dents his head and can’t remember where he’s from or why he exists. He befriends …
[10] Anthony Minghella (The English Patient) adapts the Patricia Highsmith novel for the big screen, casts it perfectly, and delivers a superb character study and psychological thriller. Matt Damon anchors the film in the best performance of his career, playing the insecure but devious Tom Ripley, a lower-class New Yorker who serendipitously finds himself in Italy to locate a tycoon’s son and encourage him to return …
[9] It’d be easy to write off Ravenous as a bungled misfire, but if it is one, it sure is an interesting one. The end result is a pitch-black comedy about cannibalism set in 1847 at a remote outpost in the Sierra Nevadas. The tone of the film is hard for some to swallow (how punny), but from the opening quotation (“Eat me. – Anonymous”) …
[9] A man slowly discovers that reality is not what it seems and that we are all actually slaves to more advanced technological organisms in this uber-cool, groundbreaking sci-fi flick with an incredible screenplay and visionary aesthetics. There is a place in cinema for Keanu Reeves, and it is The Matrix. (Who knew?) Carrie-Anne Moss and Laurence Fishburne steal the show, both playing walking talking …
Copyright © 2025 | Theme by MH Themes