[7] Rocky Balboa (Sylvester Stallone) tries to slide into a normal life after the events of the first film, but Apollo Creed (Carl Weathers) keeps insisting on a re-match. Rocky II follows closely enough to the narrative of the original movie to be annoying, and a pivotal moment where Adrian (Talia Shire) reverses an important opinion doesn’t sit well with me. But the characters are …
[4] There really isn’t a compelling reason for those ghosts to continue haunting poor little Carol Anne (Heather O’Rourke). But if it were a stand-alone movie outside a famous franchise, Poltergeist III might not have been half bad. There’s inventive use of mirrors throughout the movie (it’s how the spirits travel this time around), and the aspect of a broken family trying to reforge itself …
[5] If you can get past the fact that the Rocky series never should have lived to see a fifth entry, Rocky V may actually surprise you a little. I’m glad it doesn’t retread the old narrative of every installment that precedes it. It’s good to see Rocky (Sylvester Stallone) and his family ‘on the rocks,’ adjusting to life back in working-class Philadelphia. I found …
[5] Paul Newman returns as private eye Lew Harper, hired by an ex-flame to solve a blackmail case involving adultery and oil-rich land. As with the previous Harper film, the stakes are never high enough and no one’s quite worth caring about. The film is good for one suspenseful set piece involving a flooding room (hence the title?), but it’s a pretty sleepy movie otherwise. …
[5] In the first film, Mick Dundee (Paul Hogan) was a fish out of water in New York. This time around, the action is transported largely to the Australian Outback, with Linda Kozlowski’s character being more of the fish. Unfortunately, this sequel is short on laughs and anti-climactic, but Hogan and Kozlowski are charming enough to make it worth a gander for those who enjoyed …
[5] Hammer’s third Frankenstein film (following Revenge of Frankenstein) is more of a one-off than a sequel, having little to do with the films before or after it. Despite the return of Peter Cushing to the role of Baron Frankenstein and Hammer Films’ terrific sets (the laboratory sets are especially good here), the story is too much of a re-tread to stand out in the …
[7] Mel Gibson returns as the iconic Mad Max, joined by Tina Turner in a fun, villainous role. But the third film in the series is also the weakest, first signaled by the PG-13 rating, a ridiculous attempt to make a hard-edged action franchise more family-friendly. The script splits the story into two distinct parts that then converge on each other in the third act. …
[5] This belated sequel gets by, for the most part, on good will and fond memories of the previous three installments. It’s light on memorable action scenes and heavy on silliness (the CGI mokeys and gophers are really, really hard to shake). What I really wanted were more special moments between Harrison Ford and Karen Allen. I mean, who didn’t always want to see Indy …
[4] A priest’s suicide triggers a zombie apocalypse in this loose sequel to Zombie (aka, Zombie 2), both directed by Lucio Fulci. The story here is silly and the movie takes a lot of detours. The dead priest opening the gates of hell is hard to swallow, but then, few people watch low-budget Italian horror movies for great story. Still, the last act isn’t very …
[4] Peter Hyams (Capricorn One, The Relic) tackles Arthur C. Clarke’s sequel novel. It is, of course, a fool’s errand to follow so closely in the footsteps of Stanley Kubrick and his revolutionary and revered 2001: A Space Odyssey, but for whatever reason, that errand was run. And for a while, 2010‘s not so bad. 2001 leaves a lot of mystery in its wake, so …
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