[5] This haunted hotel room flick, based on a short story by Stephen King, brings nothing new to the haunted house subgenre. It even veers straight into cliches like dramatic temperature changes, ghostly images of murders past, and (my favorite) the paintings that change. I know it must be hard to breathe new life into a tired formula, but screenwriters Scott Alexander and Larry Karaszewski …
[3] Linda Blair’s still got demons, and Richard Burton’s trying to figure out what happened to the nice priests who got pea soup all over them in the first movie. Exorcist II: The Heretic is convoluted and esoteric, the action is minimal, and the horror non-existent. John Boorman (Excalibur, Deliverance) delivers a highly odd, surreal, and ultimately terrible sequel to The Exorcist. The cheap sets, …
[6] Like the first movie and The Blair Witch Project before it, PA2 utilizes a faux verite approach to exploit some of our most primal fears. I’m not sure I want this crude, unpolished treatment to become a full-blown sub-genre, but one of these kinds of movies every couple of years could be a nice diversion from homogenized remakes of iconic horror movies. Basically, if …
[6] You’ll find immense, beautifully dressed sets and breathtaking oceanside locations in the 1979 Dracula. You’ll also hear a richly romantic John Williams score. These elements go a long way in creating a mood and atmosphere that are more lush than any Dracula movie has ever had before — and are enough to warrant a recommendation. But I think the superlatives end there. Frank Langella …
[5] Dean Stockwell and Sandra Dee headline this so-so adaptation of an H.P. Lovecraft story. I gotta say, I’ve yet to see a Lovecraft adaptation I really like. The internalized dread and abstract horror just don’t translate to film very well. Anyway, Stockwell plays an agent of the Old Ones here, Lovecraft’s big squid Gods from another dimension. He’s trying to get his hands on …
[6] A witch casts a spell on a nasty lord’s family after he slaughters several members of her coven. Cry of the Banshee then becomes a “ten little indians” scenario as the witch’s otherworldly servant of evil dispatches of the lord and his family. Vincent Price headlines as the wicked patriarch and Elisabeth Bergner plays Oona the witch. No one really gets a chance to …
[4] Mary Lambert returns to direct the sloppy, uneven sequel about new characters who discover the burial ground with resurrection powers from the first film. She’s working with a solid cast that includes uber-baddie Clancy Brown (Highlander, Carnivale), Anthony Edwards, and T2 rising star Edward Furlong. There are a handful of inspired moments in the movie, including some beautiful outdoor cinematography from Oscar-winner Russell Carpenter, …
[7] A frantic man (Ezra Godden) stumbles into a Spanish coastal village where the inhabitants are metamorphosing into sea creatures. As far as Lovecraft adaptations from Stuart Gordon (From Beyond, Re-Animator) go, I like this one best. The script is tight and Gordon demonstrates remarkable directing chops in sustaining tension and suspense for what is, for the most part, one big chase. Godden is engaging …
[4] An American family moves into a British mansion with an old woman (Bette Davis) whose young daughter disappeared over thirty years ago. When the American family’s two daughters begin hearing and seeing things, it quickly becomes obvious that Davis’ daughter is trying to communicate with them through supernatural means. The mystery is so paper thin here, you’ll be ahead of the movie the whole …
[6] Zack Snyder (300, Man of Steel) made his feature directorial debut with this remake of George Romero’s 1978 classic zombie sequel. This time around the rag-tag team of survivors holed up in a mall during the zombie apocalypse includes Sarah Polley (The Sweet Hereafter) and Ving Rhames (Pulp Fiction), but you don’t get to know either of them nearly as well as you got …
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