The Loved Ones (2009)
To Be or Not To Be (1983)
Birth (2004)
Scrooged (1988)
Gremlins 2: The New Batch (1990)
[7]
Gizmo the cute Mogwai is back, and he gets wet again — this time in a New York City skyscraper run by a Donald Trump-like billionaire. Billy Peltzer and Kate Beringer (returning stars Zach Galligan and Phoebe Cates) both work there and re-team with their furry companion just in time to do battle with another army of nasty gremlins. This sequel to the 1984 original is more a madcap comedy than a horror movie, with none of the fable quality or dark atmosphere of the first film. The script is meager enough to allow for large blocks of gremlins shenanigans that overwhelm the movie. This is good if you like monster mayhem, bad if you like a little more in your creature features. While the animatronics and special effects are far superior to those in the first film, director Joe Dante (The Howling, Explorers) indulges in a display of technological prowess that spirals into a busily boring mess before things are over.
Tarzan the Ape Man (1932)
[6]
Call me a sucker for an Olympic swimmer in a loincloth, but I enjoy Johnny Weissmuller’s maiden swing through the jungle. This first feature in the long running matinee series is the one where Tarzan meets Jane (Maureen O’Sullivan), whose on expedition with her father to find a fabled elephant graveyard. He kidnaps her, but then she saves him from her angry father, he learns a little English (“Me Tarzan, you Jane”), and the two fall in love. Hey, if it can happen that fast for the J-Lo, it can happen that fast for the Lord of the Apes.
Eyes Wide Shut (1999)
[7]
In the final film from Stanley Kubrick, a socialite couple (Tom Cruise and Nicole Kidman) get in over their heads when they decide to follow their adulterous impulses. This movie gets a bad rep, but I think it’s primarily because the casting of two superstars led to more commercial audience expectations. It’s a more intimate portrait than that, and beautifully made. I really love the weed-smoking scene, especially for the sinister undertone in Kidman’s performance. She outshines Cruise in this movie. Thematically, I enjoyed the exploration of infidelity — men’s, women’s, real, imagined. I find it interesting that the female character needs her husband to acknowledge her desires, while he seems uncomfortable acknowledging his own. (Ironic casting of Cruise? I think so.) And of course, it’s also fun to see the posh, clandestine orgy scene of Kubrick’s dreams (with the full-frontal shots restored to the most recent DVD and blu-ray releases).