As far as monster movies go, this is the one to beat. It’s the only film directed by the late Stan Winston, the special effects wizard who brought so many creatures and otherworldly characters to life in movies like Jurassic Park, Terminator 2, and Edward Scissorhands. I always wished he’d directed another movie, because Pumpkinhead is creepy as hell, a superb dark fairy tale that’s drenched in atmosphere.
Director Sydney Lumet sets the gritty streets of New York aside temporarily and gives us an emotionally stirring family drama about two parents who have to uproot their family every time the feds catch scent of their trail. If they ever get too comfortable, they run the risk of being locked away for an act of protest that accidentally ended in a fatality during the turbulent ’60s. The family’s vagabond routine is put to the ultimate test when the eldest son, played by River Phoenix in an Oscar-nominated performance, comes of age and wants to attend music school. But if he leaves the family, he may never see them again. Running on Empty is an incredibly moving story about family bonds — both suffocating and empowering — and how loving someone sometimes means letting them go.
Spielberg explores World War II through the eyes of a young British boy (Christian Bale) separated from his parents in Shanghai and forced to live in a Japanese internment camp. For a director who often celebrates innocence (and sometimes wallows in it), it’s nice to see a darker examination of the subject. In Empire of the Sun, innocence isn’t just lost. It’s almost shattered.
The public will never let director Joel Schumacher live down his Batman movies, but let’s not forget that before there were nipples on the Batsuit, there was The Lost Boys. A divorced mother brings her two sons to a coastal California town to live with their grandfather and make a new life for themselves. There’s just one problem. The whole town is prey for a gang of vampires!
James Cameron accomplishes a rare feat with a sequel that doesn’t shame the original and succeeds on its own merits. Aliens is so different in tone than the original Alien, I think of it as a sequel only in name (this goes for all the Alien movies). In a smart move, Cameron decided not to compete with Ridley Scott in the areas of horror and suspense. Aliens is decidedly a combat movie.
