Gigi (1958)
[3] What a shitty Best Picture winner Gigi is. It's a musical about an unhappy playboy (Louis Jourdan) and an unhappy debutante (Leslie Caron) who fall in love, but then out of love, and back in love, and out, and…
Cavalcade (1933)
[4] The third-ever Academy Award for 'Best Picture' went to this somewhat clunky, melodramatic story spanning three decades in the lives of two British families -- one upstairs aristocrats, the other downstairs servants. It may have been one of the…
The Curious Case of Benjamin Button (2008)
[6] Just as Robert Zemeckis had to make Forrest Gump and Tim Burton had to make Big Fish, so did David Fincher have to make The Curious Case of Benjamin Button. All three directors are known for their visual and/or…
The Grand Budapest Hotel (2014)
[7] I love movies. But unlike most other people who love movies, I don't love Wes Anderson movies. To me they're a case of too much style over too little substance. I never care about the story or the characters,…
Alice in Wonderland (2010)
[2]
There’s precious little to keep you interested in this hideous-looking and busily boring shit-fest of a film that is both a nadir for director Tim Burton’s creative trajectory and emblematic of everything wrong with Hollywood in the early 21st century. Much muchness? Indeed. Alice in Wonderland is the cinematic equivalent of a priapism.
All the President’s Men (1976)
[4] Alan J. Pakula (Sophie's Choice, The Pelican Brief) directs the big-screen story of how Washington Post reporters Bob Woodward and Carl Bernstein cracked the Watergate scandal that lead to President Nixon's resignation. I love Robert Redford and Dustin Hoffman…
Heaven Can Wait (1978)
[5] A light, fluffy, inconsequential comedy about a man who dies and is given the opportunity to return to life in another man's body. The movie works best during it's 'fish out of water' scenes, where Warren Beatty interacts with…
Gone with the Wind (1939)
[7]
Hollywood’s most celebrated melodrama is still entertaining today. Vivien Leigh does a remarkable job playing one of the most volatile heroines in film history. Scarlet O’Hara begins Margaret Mitchell’s story damned spoiled, and I’m not sure she ever really learns her lesson, but Leigh renders a subtle transformation while always remaining true to character. My other favorites are Olivia de Havilland (sweet in everything she’s in), Hattie McDaniel (who deserved her Oscar), and Butterfly McQueen (for bringing a little comedy to the proceedings). I don’t get Leslie Howard as Ashley. For being the crux of the movie’s romantic triangle, I’d like to have known what was so darned special about him. Max Steiner’s music, especially the Tara theme, is among the most memorable ever composed for film.
Doctor Zhivago (1965)
[4]
I knew I would eventually have to watch this 3-hour 20-minute behemoth and thank goodness it’s over. Doctor Zhivago is a sprawling epic about the Russian Revolution as seen through the eyes of a doctor (Omar Sharif) who wants to have his cake (his wife is played by Geraldine Chaplin) and eat it, too (his mistress is played by Julie Christie). The first half is dense with plotting and myriad characters — I was getting pretty sleepy. But once Zhivago becomes an exile, I became more alert and the movie picked up speed. Still, when it was all over, I was underwhelmed. He loved two women, he inspired a nation, and I just didn’t care.
Spartacus (1960)
[8]
Fans of Ridley Scott’s Gladiator might be surprised how much they will also enjoy (perhaps even prefer) its progenitor. Stanley Kubrick’s Spartacus is a briskly-paced epic, and uncharacteristically emotional compared to his other work. Kirk Douglas is iconic in the lead role, playing a slave forced to fight in the gladiatorial arena for the enjoyment of the aristocracy. Of course he falls in love with a fellow slave girl, of course he escapes, and of course he leads a mammoth army of slaves in revolt against Rome… but when these broad strokes are painted so earnestly, I don’t care. The bleak, bold final act of the film is what really sells the story for me.