Thelma & Louise (1991)
[10] "You get what you settle for." It's a potent little theme that asks all of us to take stock of our lives. It probably helps that I saw Thelma & Louise at a time when, like the title characters,…
Dances With Wolves (1990)
[10]
Kevin Costner’s ambitious ode to the American frontier is grand, romantic storytelling at its best. And talk about an underdog. People were calling it ‘Kevin’s Gate’ months prior to release — and why shouldn’t they? A three-hour long western with most of its dialogue in Lakota Sioux? How could such a movie find an audience, much less sweep the Academy Awards?
Amadeus (1984)
[10]
Straight biographies rarely make great film, but by filtering the subject through another man’s envy, director Milos Forman (One Flew Over the Cuckoo’s Nest) delivers one of the best bio-films I’ve ever seen. This isn’t a film about a composer and his music (how boring would that be?) — it’s a film about an insanely jealous contemporary named Salieri. Salieri, played brilliantly by F. Murray Abraham, turns Mozart’s life and accomplishments into his own personal battle with God. Just watch Abraham pretend to be Mozart’s best friend, all while plotting to destroy him, and you quickly appreciate why the man won an Oscar for his performance.
Ordinary People (1980)
[10]
Robert Redford directs this adaptation of Judith Guest’s novel, about a family reeling from the accidental death of the eldest child. Unlike so many dramas, it’s what you don’t see and what isn’t said that makes Ordinary People such a gut-wrenching, powerfully moving film.
Timothy Hutton, Donald Sutherland, and Mary Tyler Moore give superb performances as family members struggling to reconnect with one another after the tragedy. Hutton won the Best Supporting Actor Oscar for his raw, riveting portrayal of young Conrad Jarrett. Moore plays his mother, an emotionally unavailable woman barricading herself from further distress by ignoring her family’s problems, even after Conrad tries to take his own life. Sutherland plays the father, the mediator between mother and son, desperately trying to hold his family together. Judd Hirsch appears as Conrad’s therapist, a savior shrink who forces Conrad to confront his guilt and fear.Â
Midnight Express (1978)
[8] Brad Davis (Querelle, Chariots of Fire) stars in this true story about an American named Billy Hayes who was sent to a dehumanizing Turkish prison for trying to smuggle hash over the border. Originally sentenced to four years, Hayes…
Network (1976)
[10] A suicidal TV news anchorman strikes a nerve with the public, prompting his network to bastardize their news hour with his crackpot proselytizing. Before long, the network embraces pure tabloid sensationalism -- live assassinations and all. Network is now…
Chinatown (1974)
[9] Chinatown is the name of the movie, but only a short final scene takes place there. One could argue the film is a journey to its namesake, but even that's not enough to explain the title. In a rare…
The Exorcist (1973)
[9] Director William Friedkin (The French Connection) approached William Peter Blatty's tale of demonic possession with seriousness and realism, striking fear in the hearts of moviegoers worldwide. Often feeling more like a documentary than a sensational horror film, The Exorcist…
The Godfather (1972)
[9] The Godfather balances the private lives of its characters with their sensational 'occupation', and that's why I like it more than other 'tough-guy' movies. If I didn't care about the family members, no amount of horse beheadings or car…
The Lion in Winter (1968)
[10] Which of King Henry II's sons will succeed him on the throne? This question is rife with political intrigue, personal vendettas, and intense family drama in The Lion in Winter. The relationships are fascinating to watch unfold. The three…