[4] This is the first miss for Judd Apatow, coming off a string of memorable comedy hits like The 40 Year Old Virgin and Knocked Up. Funny People features the usual array of wacky Apatow characters, but the personality and relationship patterns are disappointingly familiar. Funny People is obviously an attempt to make a deeper, more sophisticated film, but in the end, the only thing …
[6] Jack Nicholson directs this slice-of-life story adapted from the Jeremy Larner novel about a obstinate college basketball player (William Tepper) whose pretentiousness almost keeps him from being drafted into professional sports. But the film also centers on two other characters. Karen Black plays Tepper’s girlfriend, a character who can’t decide whether to leave him or stay with him. (Is she confused by the women’s liberation …
[6] A floundering Broadway director ingratiates himself to an old flame in order to rekindle his career in Twentieth Century. This film is often regarded as the grandfather of screwball comedy, one of my favorite genres. John Barrymore and Carole Lombard give remarkably madcap performances as the theatre director and his ingenue, but these aren’t charming or likeable characters. I don’t always have to like …
[7] In this remake of a British original, all hell breaks loose at a funeral where volatile secrets are revealed. There are a few raunchy moments in the remake –directed by Neil LaBute (In the Company of Men) — but the film has much more in common with the old screwball comedies of the 40s than today’s common gross-out fests. The film is sprinkled with …
[2] The charm that young Jason Bateman exhibited on television’s The Hogan Family is absent here, stifled by a painfully insipid script and direct-to-video production values. I can’t think of another movie sequel that so closely mimics its predecessor. The only differences between the two movies are the lead actor and the sport they play. The film even returns several inconsequential supporting characters, whether they’re …
[3] Over the course of one madcap evening, two stoners entangle with vengeful midgets and whacky devil worshippers while trying to find enough money to repay their dealer. Director Allan Moyle (Pump Up the Volume, Empire Records) phones this one in. The comedy is forced and the leads (Scott Speedman and Wes Bentley) fail to find the right tone for the piece. I know the …
[6] Michael Cera plays a teen looking to lose his virginity in this lighthearted teenage rebellion romp that features some fun performances from the likes of Zach Galifianakis, Fred Willard, Jean Smart, and Justin Long — but it ultimately doesn’t offer much that we haven’t seen before. Perhaps the freshest element is the fact that Cera’s character conjures an alter-ego for himself who appears on-screen …
[5] A girl from the San Fernando valley (Deborah Foreman) falls for a city boy (Nicolas Cage), much to the chagrin of superficial friends. Martha Coolidge’s Valley Girl hit the scene just as John Hughes began directing his string of iconic teen flicks, and was probably just as influential in setting the 80s teen trend as any of Hughes’ work. The film is beloved for …
[6] Katharine Hepburn stars in this odd duck of a movie about an eccentric Countess who catches wind of a conspiracy to destroy Paris in the name of oil drilling and decides to take matters into her own hands… by killing all the men involved. Director Bryan Forbes (The Stepford Wives) is completely aware of the story’s intrinsic absurdity, executing key moments with touches of whimsy …
[7] The ever-versatile Howard Hawks (Rio Bravo, Bringing Up Baby) returns to screwball comedy with Monkey Business, pairing Cary Grant with Ginger Rogers as a couple whose marriage is put to the test when they take a ‘fountain of youth’ potion that regresses them to teenaged states of mind. Grant and Rogers have definite chemistry and do hilariously well here, especially when they begin behaving …
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