[5] Jean Arthur finds herself with two husbands after her first, presumed dead at sea, turns out to be very much alive. The genders are reversed, but the story is very similar to My Favorite Wife, a better film released the same year. Jean Arthur, Fred MacMurray, and Melvyn Douglas are usually reliable, but I didn’t care for their chemistry. I also had a hard …
[5] A prim and proper lady discovers she is infertile and hires a street-smart gal to be her ‘Baby Mama.’ As much as I like everyone in the cast — from stars Tina Fey and Amy Poehler, to Steve Martin, Sigourney Weaver, Greg Kinnear, Holland Taylor, and Dax Shepard — Baby Mama comes off oddly restrained, never allowing Fey or Poehler to cut loose and …
[4] A dude (Matthew Perry) gets an opportunity to go back in time (where he’s played by Zac Efron) to better appreciate his life. I’m not sure what it would take to overcome a scenario as stale as the one at play here, but for a dug-up corpse, it’s not as rank as I thought it would be. Zac Efron shows (eating a little crow …
[3] A detective and a rookie cop team up to find a bad guy. I know. How original. Charlie Sheen gets my nomination for least charismatic performance in a motion picture here. The word “driftwood” comes to mind. The Rookie is hokey in a bad way, probably the worst Eastwood-directed movie I’ve ever seen. The whole thing feels like a studio’s desperate attempt to come …
[4] This is the first miss for Judd Apatow, coming off a string of memorable comedy hits like The 40 Year Old Virgin and Knocked Up. Funny People features the usual array of wacky Apatow characters, but the personality and relationship patterns are disappointingly familiar. Funny People is obviously an attempt to make a deeper, more sophisticated film, but in the end, the only thing …
[6] Jack Nicholson directs this slice-of-life story adapted from the Jeremy Larner novel about a obstinate college basketball player (William Tepper) whose pretentiousness almost keeps him from being drafted into professional sports. But the film also centers on two other characters. Karen Black plays Tepper’s girlfriend, a character who can’t decide whether to leave him or stay with him. (Is she confused by the women’s liberation …
[6] A floundering Broadway director ingratiates himself to an old flame in order to rekindle his career in Twentieth Century. This film is often regarded as the grandfather of screwball comedy, one of my favorite genres. John Barrymore and Carole Lombard give remarkably madcap performances as the theatre director and his ingenue, but these aren’t charming or likeable characters. I don’t always have to like …
[7] In this remake of a British original, all hell breaks loose at a funeral where volatile secrets are revealed. There are a few raunchy moments in the remake –directed by Neil LaBute (In the Company of Men) — but the film has much more in common with the old screwball comedies of the 40s than today’s common gross-out fests. The film is sprinkled with …
[2] The charm that young Jason Bateman exhibited on television’s The Hogan Family is absent here, stifled by a painfully insipid script and direct-to-video production values. I can’t think of another movie sequel that so closely mimics its predecessor. The only differences between the two movies are the lead actor and the sport they play. The film even returns several inconsequential supporting characters, whether they’re …
[3] Over the course of one madcap evening, two stoners entangle with vengeful midgets and whacky devil worshippers while trying to find enough money to repay their dealer. Director Allan Moyle (Pump Up the Volume, Empire Records) phones this one in. The comedy is forced and the leads (Scott Speedman and Wes Bentley) fail to find the right tone for the piece. I know the …
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