[4] This second retelling of The Maltese Falcon (before John Huston proved the the third time was the charm) is a bizarre pseudo-comedy with an ingratiating performance by Warren William in the role Humphrey Bogart would later immortalize. Warren got under my skin — I hated him. Bette Davis was all right, but the real standout performance was Arthur Treacher as the tall Englishman, Travers. …
[5] A mysterious woman enters detective Sam Spade’s office with information about a valuable statue called the Maltese Falcon. Spade is soon swept up into a mystery involving multiple pursuers of the statue in this famous story from Dashielle Hammett. This film directed by Roy Del Ruth is the first of three film iterations of the story. The third version — directed by John Huston …
[7] A claustrophobic mystery featuring a career-launching performance from Humphrey Bogart. Characters like Sam Spade can often be played over the top, but Bogart keeps it grounded and accessible for me. I also like the ensemble of supporting players, including Peter Lorre, Sydney Greenstreet and Mary Astor — all greedy characters who can’t be trusted. The final act puts them all in a room together, …
[7] Peter Lorre gives a star-making performance as a child murderer running from both the law and the criminal underground in this stylish early ‘talkie’ from Fritz Lang (Metropolis). As much as I love both Lang and Lorre, M is a mixed bag for me. It starts off brilliantly, with the children singing and the villain’s shadowy introduction. But as the movie becomes more about …
[8] It’s the Great Depression and young boys (and a few girls) are running away from home to lessen the burden on their poor families. This movie follows two boys, played by Frankie Darro and Edwin Phillips, who hop aboard train after train trying to find food and work. Along the way, they befriend a girl played by Dorothy Coonan Wellman. The three become part …
[7] While it lacks the pervasive chill that runs through The Silence of the Lambs, Red Dragon is a well-made thriller that engages from beginning to end, thanks to a briskly-paced script adaptation by Ted Tally (who won an Oscar for his treatment of Lambs). This is a prequel to the time Lecter met Starling, and also a re-make of Michael Mann’s stylish 1986 film …
[8] Martin Scorsese unleashes this epic tale of 1860s New York City street battles, with Leonardo DiCaprio starring as a young man with a vendetta against the near legendary Bill the Butcher (Daniel Day-Lewis). See, DiCaprio’s character saw Day-Lewis’s character kill his father in the big opening battle scene, and then DiCaprio’s character goes away for a while. Once he’s of age, he comes back …
[5] Sidney Lumet (Network, Dog Day Afternoon) directs the true story of a New York cop seeking redemption for some corrupt deeds. The undercover cop, played by Treat Williams, reluctantly becomes an informant for a special investigatory committee, only to have the committee strong-arm him into ratting out his friends and fellow cops. Williams is all right in the role, but I feel that perhaps …
[8] Charlize Theron stars as Aileen Wuornos, the infamous Florida prostitute who became a serial killer, in this film chronicling her last few months of freedom before being captured and executed in 2002. Writer/director Patty Jenkins doesn’t shy away from Wuornos’ crimes, but aims to paint a more complex portrait of the woman who committed them. Monster introduces us to Wuornos as she’s contemplating suicide, …
[7] Director Sydney Lumet (12 Angry Men, Network) takes on Agatha Christie and delivers a light-hearted soufflé of a murder mystery. I always tend to enjoy ensemble films within a claustrophobic setting, so being trapped on the Orient Express during a blizzard with Lumet’s star-studded cast was a real treat. Albert Finney headlines the venerable collection of stage and screen actors as Christie’s famous detective …
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