[3] This review contains spoilers. The only thing worse than disliking a movie from the start is loving a movie, and then having the movie betray you in the end. Such a film is EO, a Polish film from veteran filmmaker Jerzy Skolimowski (Deep End) that we experience through the eyes of its title character, an adorable grey donkey who is tossed into a serendipitous …
[6] Japan’s Toho Pictures launched a third reboot of their Godzilla franchise with this 29th installment (not counting two American-made movies). Shin Godzilla follows various political figures and public agencies as they deal with the arrival of a giant creature that crawls out of the ocean and starts wreaking havoc across the land. It grows and evolves into the Godzilla we all recognize, only meaner …
[5] Sophia Loren stars in the final film from director Vittorio de Sica, about an Italian woman despondently searching for her soldier husband (Marcello Mastroianni) in the fallout of World War II. Unable to learn from the government whether he’s even dead or alive, she sets out to the battlefront once the war is over. And what can I say without giving away the second …
[7] Katsuhiro Ôtomo directs this adaptation of his sprawling manga series about (okay, deep breath…) a futuristic biker who squares off against a former friend who has turned evil through scientific experimentation, transforming him into a dangerous super-being of both scientific and religious ramifications. As the friend is unable to control his lethal powers, the biker rallies his friends and a trio of other ‘experiments’ …
[5] Armand Assante plays the title character in this ‘cajun western’ about a medicine man who tries to hold his 1800s Louisiana bayou community together while one half tries to run the other out of town. I had a hard time following the story, especially since many of the characters speak in thick accents. But from what I gather, part of the town is relatively …
[7] In 1950s New Jersey, two Italian brothers struggle to keep their restaurant open as a rival eatery woos their clientele. Part of the problem is a philosophical rift between the brothers, played by Stanley Tucci and Tony Shalhoub. Tucci wants to give the public what they want, while Shalhoub wants to elevate their palettes. As their relationship fractures and the business hangs in the …
[6] Florence Pugh (Midsommar, Little Women) stars as a 1950s happy housewife living in an experimental desert paradise where the women cook and clean by day, host parties by night, and have sex with their husbands in-between. But she has a hard time shaking certain dreams and memories, especially after witnessing one of her fellow happy housewives commit violent suicide. Much to the consternation of …
[4] Michelle Pfeiffer and Lucas Hedges play a rich mother and son who are forced to leave their fancy New York home for a friend’s apartment in Paris when they discover their bank account is nearly empty. Once there, Pfeiffer’s character plans to kill herself when their last dollar is spent, while Hedges’ character pines for the gal he left behind in the Big Apple. …
[6] Steven Spielberg tackles his autobiography with this story of his youth and adolescence, discovering his love of film while coping with his parents’ untenable marriage. As Spielberg’s stand-in, Sam Fabelman, Gabrielle LaBelle is a disappointingly empty vessel, lacking the charisma or screen presence to carry us through this tale. Michelle Williams leaves a much bigger impression with her performance as Sam/Spielberg’s mother, a carefree …
[8] [This review contains spoilers.] Cate Blanchett stars as a fictional celebrated conductor whose life begins to unravel after an alleged affair with a music student comes to light. Her character, Lydia Tár, breaks the glass ceiling in the rarified world of classical music. Her accomplishments — including an Oscar, Emmy, Tony, and Grammy — are all the more newsworthy because she is a woman …
Copyright © 2025 | Theme by MH Themes