[6] Richard Attenborough (Gandhi, Chaplin) reenacts the elaborate but doomed Operation Market Garden, a World War II strategy the Allied Forces valiantly attempted to execute in order to defeat German Forces in the Netherlands. A Bridge Too Far is a three-hour Cliffs Notes version of a historical event, largely plot-driven, with a lot of cross-cutting storylines being juggled at all times. The all-star cast get little …
[7] Ron Howard (Splash, A Beautiful Mind) directs this sweet story about a group of nursing home residents who discover a ‘fountain of youth’ in a nearby pool. Turns out, though, that the pool’s power is extra-terrestrial. Soon the old folks become friends with aliens and an interesting proposition is made: Would you like to leave Earth and live forever on an alien planet? Wilford …
[6] Elia Kazan makes a concerted effort to be less ‘theatrical’ and more ‘cinematic’ with Panic in the Streets, a New Orleans thriller about a policeman and a doctor searching the streets for a killer infected with pneumonic plague. Richard Widmark plays the doctor and Paul Douglas plays the cop. They’re forced to work together and begrudgingly do so for a while, but they eventually …
[8] Chris Pine stars in this emotional rescue story about a heroic Coast Guardsman who leads a small crew into a winter storm to rescue the workers on a sinking oil tanker. The Finest Hours is based on the true 1952 story, which the Coast Guard still regards as their most miraculous mission. The movie may already sound exciting to you — and it is. But …
[7] Viggo Mortensen travels with his young son (Kodi Smit-McPhee) across a post-apocalyptic wasteland in this bleak drama based on the novel by Cormac McCarthy. The premise is intriguing, far more than the movie dares explore, even with an R-rating. The storyline hangs on the intimate relationship between father and son. Viggo is frighteningly open with the boy, explaining how they’re going to have to …
[6] This particular adaptation of Louisa May Alcott’s book ends on a morally ambiguous note (I don’t think children should ever be lied to), but the film is otherwise passable family entertainment. Jimmy Lydon does a decent job as Dan, the angry young man who comes to live with Jo March (Kay Francis) at her experimental school/farm for boys. The film works best when it …
[5] You know this story by now, even if you haven’t seen the movie: Girl meets vampire, girl wants to screw the vampire, but vampire is too good for that shit. I don’t generally like a story where one character pines obsessively over another (which is why I don’t like most John Cusack movies), so when two characters start pining obsessively, I’m bound to be …
[7] Ingrid Bergman won the first of her three Oscars for this psychological thriller from George Cukor. Bergman plays a woman increasingly traumatized by her husband, a thief who nearly succeeds in convincing her that she’s losing her mind. It’s easy to invest in a movie when someone’s being mean to Ingrid Bergman. I only wish that she were more empowered in the story’s third …
[4] A young soldier (Guy Madison) struggles to find purpose to his life after returning home from service in WWII. The guy’s problem isn’t as clear as I’d like it to be. His friends (Robert Mitchum and Bill Williams) have obvious injuries, but Madison’s character seems to suffer from nothing more than laziness. The film sometimes works as a soap opera, but I hate to …
[6] A bold film for its time, A Summer Place deals with sexual awakening and reawakening. Sandra Dee and Troy Donahue play the teenaged lovers; Richard Egan and Dorothy McGuire play the adulterous middle-aged ones. The first forty-five minutes of the story are pretty strong, but once the affairs are out in the open, the script struggles to find its focus. Highlights include a terrific …
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