[4] William Hurt makes his big-screen debut in this blend of psychedelia and cockamamy psychology based on a novel by Paddy Chayefsky (Network). Hurt plays a college professor of science who experiments with drugs inside isolation tanks to, oh, I don’t know — I think it was to find God or something. Anyway, the experiments actually end up regressing Hurt’s DNA and he slowly turns …
[6] My favorite part of this Avengers sequel is when the bad guy, a robot voiced by James Spader, first pulls himself together and wobbles confidently in front of the superheroes at the end of a house party. It’s a good introduction to a nifty character who says some witty things here and then. (It is a Joss Whedon movie, after all.) Other than that, …
[4] Green Lantern is probably the single-most generic superhero movie I’ve ever seen. It’s not terrible so much as it is wholly unremarkable. It’s mired in a scatter-shot script that dwells on plot points and secondary characters I couldn’t give two craps about, when all that screen time should have been devoted to making me care about the title character. Ryan Reynolds is plenty charismatic …
[5] The gang is back for another outing, five years after the enormous success of the first Ghostbusters. But its a mediocre follow-up at best. Bill Murray, Dan Aykroyd, Harold Ramis, Ernie Hudson, Sigourney Weaver, Rick Moranis, Annie Potts, and director Ivan Reitman are all back, joined by Peter MacNicol as a museum manager who gets possessed by the spirit of an ancient painting. The …
[8] See review of the Nightbreed theatrical cut here. Clive Barker’s Nightbreed was originally released in 1990, dumped onto a handful of screens by the studio and barely marketed. It was a financial failure, and for the director it was also a creative one. Barker was forced by the studio to compromise his original vision, dropping key plot elements, shooting new scenes and an alternate …
[8] Nightbreed, directed by Clive Barker and based on his book Cabal, wants to be a sprawling horror-fantasy epic for the ages. But the multifaceted story is told so quickly and haphazardly in the studio’s cut of the film, the end result is something between whiplash and total discombobulation. As messy as the end result is, I still really admire the sheer ambition behind the …
[7] The Boy Who Could Fly is a goofy movie, but it has a lot of heart. Lucy Deakins stars as Milly, a fourteen-year-old girl who has just moved to a new town after her father committed suicide. She discovers her next door neighbor is an autistic boy named Eric (Jay Underwood) who is always sitting in his window sill with arms wide, pretending to …
[5] The Dance of Reality is the first film in decades from well-loved cult filmmaker Alejandro Jodorowsky (El Topo, The Holy Mountain). The film is a quasi-autobiography from the filmmaker, covering his childhood in a Chilean coastal town. Jodorowsky is played by young Jeremias Herskovits, while Brontis Jodorowsky (Alejandro’s real-life son) plays the filmmaker’s father. It’s far from a straight-forward recollection. Jodorowsky goes off into …
[7] This sequel taps into two powerful currents of audience identification: the love between parents and children, and the love between people and animals. You can approach these with cloying calculation, as many family films do, or you can attack them with a level of sincerity that makes you forget they take root in our deepest, mythic past. Both How to Train Your Dragon movies …
[7] Angelina Jolie headlines in this pleasantly surprising revisionist version of Disney’s Sleeping Beauty. Jolie plays Maleficent, the dark fairy villain of the original fairytale. But in this new version of the story scripted by Linda Woolverton (Beauty and the Beast), she’s both the villain and the hero — and Jolie is fantastic in the role. You see Maleficent as the glorious creature she once …
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